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photograph

Le lutrin (2nd plate)

1 pp 1854

Same composition as number 61, with three people only, two singers and the choir boy: the figures turned to the left. Only two impressions known. The background has been darkened.

#m900rn36b

photograph

Le lutrin (2nd plate)

1 pp 1854

Same composition as number 61, with three people only, two singers and the choir boy: the figures are turned to the left. The plate cut down and bevelled.

#m900rn327

photograph

"Le Malheur d'Henriette Gérard" by Durany, with four etchings by Legros. Paris, Poulet-Malassis and de Broise, 1861; in-18. These four compositions are etched on the same plate. 1. Emile proposes to Henriette, vignette frontispiece. 2. Emile before the police commissary. 3. Henriette returns to her mother. 4. Emile pulled from the water by bargemen. The composition are only sketched or little worked on; in vignette 4, a man in an overcoat watches the bargemen pull Emile's corpse from the water.

#m900rs00s

photograph

Le malheur d'Henriette Gérard

1 pp 1854

"Le Malheur d'Henriette Gérard" by Durany, with four etchings by Legros. Paris, Poulet-Malassis and de Broise, 1861; in-18. These four compositions are etched on the same plate. 1. Emile proposes to Henriette, vignette frontispiece. 2. Emile before the police commissary. 3. Henriette returns to her mother. 4. Emile pulled from the water by bargemen. Work concluded; the man in the overcoat in vignette 4 has disappeared.

#m900rs02b

photograph

Le malheur d'Henriette Gérard

1 pp 1854

"Le Malheur d'Henriette Gérard" by Durany, with four etchings by Legros. Paris, Poulet-Malassis and de Broise, 1861; in-18. These four compositions are etched on the same plate. 1. Emile proposes to Henriette, vignette frontispiece. 2. Emile before the police commissary. 3. Henriette returns to her mother. 4. Emile pulled from the water by bargemen. With the indication of the pages to which the compositions correspond, and the inscription "Imp. Delâtre, Paris"

#m900rs04w

photograph

Le manège

1 pp 1854

The horse-gin is turned by a horse with white hair; the pulley sheltered by a sort of pent-roof connecting with a stone-edged well, near which three monks stand; one fills a watering-pot that the other holds; the third reads. With the work which continues the house under the pent-roof to the upper right corner, and with the signature "A. Legros" in the lower left corner. Additional lines in foreground, between the horses hind legs.

#m900rp02q

photograph

Le manège

1 pp 1854

#m900rp048

photograph

Le manège

1 pp 1854

#m900rp005

photograph

Le manège

1 pp 1854

The horse-gin is turned by a horse with white hair; the pulley sheltered by a sort of pent-roof connecting with a stone-edged well, near which three monks stand; one fills a watering-pot that the other holds; the third reads. Before the work which continues the house under the pent-roof to the upper right corner, and before the signature "A. Legros" in the lower left corner.

#m900rn98b

photograph

Le manège

1 pp 1854

The horse-gin is turned by a horse with white hair; the pulley sheltered by a sort of pent-roof connecting with a stone-edged well, near which three monks stand; one fills a watering-pot that the other holds; the third reads. The whole plate is reworked and extended; Title in upper left corner. Title "Le manège" in upper right corner enclosed by a line.

#m900rp06t

photograph

Le manège

1 pp 1854

#m900rp10d

photograph

Le manège

1 pp 1854

#m900rp14h

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Le lutrin (2nd plate)

Le lutrin (2nd plate)

Le malheur d'Henriette Gérard

Le malheur d'Henriette Gérard

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Le manège

Le manège

Le manège

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Le manège

Le manège

Le manège