Album of decorative ironwork designs. The designs include garden and church gates, church altar (communion) rails, and balcony and staircase balustrades. Some designs feature royal and religious iconography. The plates are signed and numbered.
An album with four series of designs for doors, porticos, triumphal arches, chimney pieces, funerary monuments, ornamental friezes, trophies, architectural details, ecclesiastical altars, and masks (mascarons), decorated with classical motifs. Each series includes a title page. The plates are numbered. Bound in a mottled calf binding with marbled paper pastedowns and endpapers.
Album of designs for furniture: canopy beds, chairs, armchairs, sofas, ottomans, daybeds, stools, and men’s embroidered waistcoats by Pierre Ranson, published in several series. Some of the series are incomplete, and some of the plates appear as duplicates (some of the waistcoats are hand-colored with watercolor). Bound in a late 18th-century or early 19th-century mottled calf binding with gilt do
Album containing 26 ornament prints. Title page and 25 prints depicting individual lead and marble vases from the gardens at Versailles, Trianon and Marly, signed by the print maker Marie Michelle Blondel. Bound in an 18th-century mottled calf binding with gold tooling and marbled endpapers.
Album of designs for Pendant Trophies from two printed series of twelve designs (including title pages) after R. Charpentier. The first series is incomplete in this album and the title page is from a later edition. Most of the trophies feature military themes with others related to sculpture and the arts.
An album of ornament prints with designs for watchcase lids or medallions with biblical subjects, alongside designs for flowers, and friezes. The plates are numbered and signed with an initial. The album also contains pasted-in designs for watchase lids or medallions with ornament and profile portraits from a different series of prints.
Album of designs for ecclesiastical metalwork, including candelabra, sanctuary lamps, balustrades, and architectural details featuring rococo motifs and putti (children). The title page is a copy in reverse of a cartouche (plate 4.A) designed by Peyrotte and engraved and published by Huquier from Nouveaux Cartouches Chinois (1921-6-522-4). The designer Germain lettered on the title page could poss