Cooper Hewitt, Smithsonian Design Museum Search

drawing

An Angel Hammering a Chisel into a Burning Beast

1 pp

Vertical rectangle. An angel or putti shown from the front, sitting upon a beast, raising a hammer with his left hand and holding a chisel in his right hand. Verso: Saint John the Baptist shown in profile, turned toward left, kneeling. He offers something he holds in his right hand. The left forearm is around the neck of the lamb crouching beside him. Scratchings.

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An Antient Hindoo Temple, In the Fort of Rotas, Bahar, from "Oriental Scenery: Twenty Four Views in Hindoostan"

1 pp

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drawing

An Art Lesson

1 pp

Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.)

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ephemera

An Artist Among Animals, Illustration for Scribner's Magazine (XIV, No. 6, December 1893, frontispiece)

2 pp

30.2 × 23.5 cm (11 7/8 × 9 1/4 in.)

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drawing

An Artist Drawing by Lamplight

2 pp

34.5 x 23.5 cm (13 9/16 x 9 1/4 in.)

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drawing

An Artist's Studio

1 pp

Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.)

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drawing

An Assault

1 pp

A horseman flees two soldiers, who take aim at him; he gallops through an arch formed by rocks directed toward the shore. His walking companion is attacked by a man with a sword. Another man runs toward the right carrying a club or a gun. Mountainous wooded country. Framing stripes.

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An Attack and Lodgement on the Covert Way, from Twelve of the Most Remarkable Sieges and Battles in Europe

1 pp

Soldiers are seen throwing up an earthen bulwark before a town. Inscribed below: "An ATTACK and LODGEMENT on the COVERT WAY", followed by a two-line description, and below: "printed for and Sold by Carington Bowles, at his Map and Print Warehouse, No. 69 in St. Paul's Church yard, London". Inscribed in the upper right corner, the number "3".

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drawing

An Audience

1 pp

Two figures in foreground and several in the background. The figure at right sits in a chair with a circular back; he looks and gestures at his companion. The other stands with his right hand pulled to his body and his left extended toward the seated figure.

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