Paved road leads to town. Two sections visible at right angle to each other. Upper section bordered by wall and substructures. At left, lake and mountains.
The obliquely shown fountain consists of a basin in the shape of a boat in which a shell with children and sea animals is supported by a dragon and children. The children pour water at each other or the dragon. A hedge with arched openings is supposed to form an enclosure. Framing ink lines. Paper margin.
Vertical rectangle. The top of an oblong frame with a scrollwork with a female mask in top center. In center, an escutcheon with a cherub framed laterally by half-figures of harpies. At bottom right, a winged centaur, shown in profile, turned toward right. Verso: The Madonna, obliquely shown, standing turned toward right. At left, a pen sketch of a right hand holding a quill.
The style of this small but elegantly decorated bedroom is a reaction to the ornate, gilded and ormolu-encrusted taste of the Empire period. Pale gray paneled walls and polished floorboards create a subdued background. Windows are hung with white muslin curtains, the swags trimmed with tassels. A simple blue needlepoint rug is placed on the floor in front of a blue velvet settee. A tall, six-drawe
A panoramic view of a city, with soldiers entering through a ruined fortress in the foreground. Naval brigs fire from a harbor, left distance. Inscribed in the lower margin: "A GENERAL ASSAULT", followed by a three-line description, and below: "Printed for and sold by Carington Bowles, at his Map and Print Warehouse, No. 69 in St. Paul's Church Yard, London". In the upper right corner, the number
Top, short story on ghosts. Bottom; profile of ghost with hunchback facing left, at cemetery, left hand points at tombstone. Tombstone labelled, SOZODONT. Upper left, waning crescent, upper right, three scared owls facing front.