[1] See Original Whistler List, Etchings, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Curatorial Remark 1 in the object record. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thoma
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G181 state 2 of 5.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G181 state 1 of 5.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G181 state 3 of 5.
[1] See Original Whistler List, Etchings, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many Whistler
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G97 state 1 of 2.
[1] See S.I. 189, Miscellaneous List, Egyptian Glass, pgs. 1 and 46, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This piece is part of a collection of glass that was purchased en bloc and includes 1,388 specimens (for further purchase information, see the folder for F1909.332).
[1] See S.I. 189, Miscellaneous List, Egyptian Glass, pgs. 1 and 46, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This piece is part of a collection of glass that was purchased en bloc and includes 1,388 specimens (for further purchase information, see the folder for F1909.332).
Whistler's inscriptions on this quickly drawn portrait let us assume that the sitter is George Saure, owner of the Red Lion. Sauer has a proprietary hand on the small change next to his glass. This is probably the type of sketch with which the artist answered the question, "Ou mangez-vous?" for he drew to help pay his expenses during the trip. In his letter to Deborah Haden Whistler mentioned "how
[1] See Original Kakemono and Makimono List, L. 1232, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, LVC Catalogue, 1915, No. 5.