Freer Gallery of Art and Arthur M. Sackler Gallery Search

object

Finial

[1] See Original Bronze List, S.I. 249, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390187784-0

object

Finial

[1] Undated folder sheet note. See Original Bronze List, S.I. 451-457, page 109, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390188766-0

object

Finial in the form of a bird

[1] Undated folder sheet note. See Original Bronze List, S.I. 1279, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390190165-0

object

Finial in the form of a bird

[1] Undated folder sheet note. See Original Bronze List, S.I. 547, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390189008-0

object

Finial in the form of a bird head

[1] See Original Bronze List, S.I. 1250, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390190082-0

object

Finial in the form of a standing ram

[1] See Original Bronze List, S.I. 774, pg. 199, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Abel William Bahr (1877-1959) was a collector and dealer born in Shanghai, China. After he left Shanghai in 1910, he lived, at various points in time, in London, Montreal, and Ridgefield, Connecticut. He established a gallery in New York City in 1920.

#ld1-1643390182193-1643390189139-0

object

Finial with an animal mask

[1] Undated folder sheet note. See Original Bronze List, S.I. 971, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390189585-1

object

Finial with hills and animals (<em>boshan</em>)

[1] See Original Bronze List, S.I. 814, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390189248-1

painting

Fireman climbing up a flag pole

[1] Undated folder sheet note. See Original Kakemono and Makimono List, L. 218, pg. 48, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390182665-0

Fish Women, Ostend

Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G349 state 2 of 2.

#ld1-1643390182193-1643390184381-1

painting

Fish and water weeds

4 pp

[1] See Original Kakemono and Makimono List, L. 777, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

#ld1-1643390182193-1643390187988-0

painting

Fisher folk moored under trees

3 pp

While scenes of everyday family life are rare in Chinese painting, the families of ordinary fishermen are frequently shown both at work and leisure. Generally depicted leading a healthy, carefree existence with the bounty of nature at their feet, fishing families came to symbolize the welfare enjoyed by society under the aegis of an enlightened ruler. Starting in the Southern Song dynasty (1127-12

#ld1-1643390182193-1643390189963-0

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