[1] See Original Miscellaneous List, S.I. 1153, pg. 263, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Voucher No. 18, December 1916.
[1] See Original Miscellaneous List, S.I. 1141, pg. 258, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Voucher No. 18, December 1916.
in 1936 with a preface by Wang Dalong, see Duanfang, Taozhai gu yu tu vol. 1 (Shanghai, 1936), p. 1a. Duanfang was a late Qing dynasty government official and a well-known collector of Chinese art. See also Thomas Lawton, A Time of Transition: Two Collectors of Chinese Art (Spencer Museum of Art, University of Kansas, 1991), pp. 37-39, fig. 36.
The axe blade remained in the Stoclet collection until Adolphe Stoclet’s death in 1949, see H.F.E. Visser, Asiatic Art in Private Collections of Holland and Belgium (Amsterdam: De Spieghel Publishing Co., 1948), p. 41.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G68 state 1 of 6.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G68 state 3 of 6.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G68 state 6 of 6.
[1] See List of Whistler Objects transferred to Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This print is part of a set that was purchased from Knoedler and Co. in March of 1893. The set was kept in the Reserve Section until January of 1921, when it was transferred to the Smithsonian Institution and each print given a registration number for that year (see
[1] According to Bishop’s unpublished report, Archaeological Research in China, 1924-34, Mr. Karlbeck had acquired nearly all the objects near the site of the ancient city of Shouchun (in the modern province of Anhui). See Curatorial Remark 2 in the object record.