Sandy, medium brown clay. Underglaze painted decoration in iron pigment and white slip, of primulas and birds. Translucent glaze, bluish where thick, with irregular coarse crackle; triangle of copper-tinted ash glaze, reduced to red, on one corner, volatilizing to adjacent side. Base unglazed.
[1] See Original Bronze List, S.I. 689, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. By at least 1917, Tonying and Company maintained business locations in Shanghai, Beijing, Paris, London, and New York, NY.
[1] See Original Whistler List, Paintings, pg. 20A, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many
[1] See Original Whistler List, Paintings, pg. 20A, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G178 state 4 of 4.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonné," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G178 state 2 of 4.