Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

The palaces and gate towers of Penglai

1 pp

[1] See Reserved Kakemono List, R. 613, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.

#ld1-1643390182193-1643390186761-0

painting

The poet Sundar Das before Emperor Shah Jahan, folio from a <em>Sundar Shringar</em>

1 pp

[1] The painting is believed to have been part of a large cache of Mandi paintings that were dispersed from the Mandi storerooms in the 1940s. The father of Mr. Bharany, who was based in Amritsar, was one of two dealers who handled their dispersal. About half the paintings went to Lahore; Mr. Mehra (a dealer in Delhi) and Coswajee Jahangir (a collector in Mumbai) were among those who acquired them

#ld1-1643390182193-1643390194494-0

painting

The sage-physician Dhanvantari, folio from the “Sixth” <em>Bhagavata Purana</em> series, also known as the “small” Guler-Basohli series

3 pp

All surviving paintings and preparatory drawings from the small Bhagavata Purana are attributed to the renowned artist Manaku. From a renowned artistic family, Manaku was the son of Pandit Seu and the elder brother of Nainsukh. He was born in the small Pahari kingdom of Guler ca. 1700 and began receiving important commissions by around 1725. The small Bhagavata Purana was commissioned around 1740.

#ld1-1643390182193-1643390213139-0

painting

The tearful parting of Su Wu and Li Ling

1 pp

[1] See Original Album List, pg. 41, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

#ld1-1643390182193-1643390187881-0

painting

The thatched hut at Liangchang

1 pp

[1] See Original Kakemono and Makimono List, L. 642, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.

#ld1-1643390182193-1643390186510-0

object

Theatre bill

1 pp

[1] See Original Miscellaneous List, S.I. 1227, pg. 21-B, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184660-0

painting

Thousand-armed Thousand-eyed Bodhisattva Avalokiteshvara (Guanyin) 明佚名《千手千眼觀世音菩薩像》軸

1 pp

[1] See Original Kakemono and Makimono List, L. 1156, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Voucher No. 18, December 1916. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

#ld1-1643390182193-1643390189962-0

painting

Three children playing on a garden terrace

1 pp

[1] See Original Album List, pg. 31, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.

#ld1-1643390182193-1643390186608-1

painting

Three cranes under a tree

1 pp

[2] Undated folder sheet note. See Original Screen List, L. 64, pg. 16, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. The majority of Charles Lang Freer’s purchases from Yamanaka & Company were made at its New York branch. Yamanaka & Company maintained branch offices, at various times, in Boston, Chicago, London, Peking, Shanghai, Osaka, Nara, and Kyoto. During the summer, the compa

#ld1-1643390182193-1643390184204-0

painting

Three figures

1 pp

[1] See Original Album List, pg. 1, Sketches by Hokusai, S.I. 4, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184760-0

painting

Three figures reading

1 pp

[1] See Original Album List, pg. 1, Sketches by Hokusai, S.I. 4, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184753-0

painting

Three gardeners of the Emperor Takakura heating sake over a fire of maple leaves

1 pp

[1] See Original Kakemono List, L. 429, pg. 113, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184676-0

Survos folio core type search

Freer Gallery of Art and Arthur M. Sackler Gallery

Filters

The palaces and gate towers of Penglai

The poet Sundar Das before Emperor Shah Jahan, folio from a <em>Sundar Shringar</em>

The sage-physician Dhanvantari, folio from the “Sixth” <em>Bhagavata Purana</em> series, also known as the “small” Guler-Basohli series

The tearful parting of Su Wu and Li Ling

The thatched hut at Liangchang

Theatre bill

Thousand-armed Thousand-eyed Bodhisattva Avalokiteshvara (Guanyin) 明佚名《千手千眼觀世音菩薩像》軸

Three children playing on a garden terrace

Three cranes under a tree

Three figures

Three figures reading

Three gardeners of the Emperor Takakura heating sake over a fire of maple leaves