Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

Animals and Birds

2 pp

Colonel Henry Bathurst Hanna (1839-1914) was an officer in the British military and a collector of Indian paintings. Born in Petersfield, Hampshire, England, Hanna’s family later moved to London, where he was baptized in 1851. Beginning in 1857, Hanna served as a commissioned officer in the Indian Army and retired with the rank of Colonel in 1889. After his retirement, he resided in London and Pet

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drawing

Annabel Lee

1 pp

[1] See Original Whistler List, Paintings, pg. 31, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many

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drawing

Annie

1 pp

Whistler's drawing of Annie Haden is probably a preparatory drawing related to At the Piano, an oil begun late in 1858 and exhibited the next year. The Freer drawing could have been one of several in which the artist explored the leaning figure from different angles. For the final work, he chose a profile which formally complements the piano player. X rays of the painting indicate that the figure

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Annie Haden

1 pp

Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G67 state 1 of 4.

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Annie Haden

1 pp

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Annie Haden

1 pp

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Annie, Seated

1 pp

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Annie, Seated

1 pp

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Annie, Seated

1 pp

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object

Anniie

1 pp

Obach & Co. (1884-1911) (C.L. Freer source)

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painting

Approaching the winter shore

1 pp

[1] See Original Album List, pg. 40, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

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painting

Arashiyama in Snow

1 pp

Appreciated for its seasonal beauty, the steep, wooded slope of Arashiyama at the Oi River has long been a favorite scenic place in Kyoto. The beauty of blossoming cherry trees in spring and red maples in autumn were appreciated by Kyoto residents who made excursions to Arashiyama in fine weather. Here the artist Hiroshige has represented the mountain in winter. The subtlety of his painting is enh

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Freer Gallery of Art and Arthur M. Sackler Gallery

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Annie Haden

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Annie, Seated

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Approaching the winter shore

Arashiyama in Snow