Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

The Mouth of the River

2 pp

American Paintings, Pastels, and Water Colors, and Drawings. J.A.McN. Whistler (May 2, 1923 to January 7, 1924)

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painting

The Mughal Prince Parvez and a Holy Man

[2] See note 1. Also, see Freer Gallery of Art Purchase List file, Collections Management Office.

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Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G39 state 1 of 4.

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The Music Room

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object

The Music Room

Obach & Co. (1884-1911) (C.L. Freer source)

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painting

The Ocean Wave

2 pp

Obach & Co. (1884-1911) (C.L. Freer source)

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The Old Swan Brewery, Chelesa

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The Open Book

[1] See List of Whistler Objects transferred to Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This print is part of a set that was purchased from Knoedler and Co. in March of 1893. The set was kept in the Reserve Section until January of 1921, when it was transferred to the Smithsonian Institution and each print given a registration number for that year (see

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The Palaces

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The Palaces

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painting

The Peach Festival of the Queen Mother of the West

10 pp

The Queen Mother of the West was one of the most important goddesses of the traditional Chinese pantheon. She dwelt in the Kunlun Mountains, located south of the Takla Makan desert in western China, where according to legend she was visited over the centuries by a number of emperors and Daoist masters seeking the esoteric doctrines that confer immortality. Her most famous encounter reportedly occu

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The Piazzetta

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