National Museum of African American History and Culture Search

object

Marchers Crossing the Edmund Pettus Bridge

1 pp

A black-and-white digital image of marchers crossing the Edmund Pettus Bridge. The marchers take up the entire right side of the bridge road, some are holding signs above their heads. The left side roadway of the bridge is empty, with a few people standing on the sidewalk watching the marchers. In the front of the image, three cars frame the bottom facing the viewer. The car on the left has a gian

#ld1-1643398738600-1643398749903-0

object

Marchers Settling Down for the Night, Selma to Montgomery March

1 pp

A black-and-white digital image of the inside of a tent lined with blankets, sleeping bags, and inflatable pool floats. Men and boys can be seen sitting or lying down on the central sleeping area. Seven men can be seen standing in the background. Clothes lines are tied along the center of tent and are holding clothes. The edges of the image are dark.

#ld1-1643398738600-1643398749915-0

object

Marchers Settling at Camp with National guard Helicopter Overhead, Selma to Montgomery March

1 pp

A black-and-white digital image of two men holding an American flag with a National Guard Helicopter in the sky. The man seen in the front of the image is featured from behind, wearing a grey sweat shirt and has a hair brush in his back right jeans pocket. He is holding the edges of the flag to keep it spread flat. The man holding the other side of the flag can only partially be seen. They are sta

#ld1-1643398738600-1643398749912-0

object

Marchers Settling at Camp, Selma to Montgomery March

1 pp

A black-and-white digital image of two young men holding up an American flag while a group of men, women, and children gather on the lawn in front of them. The young man on the right of the image is shown in profile holding up the edge of the flag. He is wearing a grey sweat-shirt and looking down. The man on the other side of the flag stands holding the pole. He is wearing a flat cap and white sn

#ld1-1643398738600-1643398749911-0

object

Maria Varela Oral History Interview

1 pp

In this oral history interview, Maria Varela discusses the Poor People’s Campaign and her photography of the movement as well as her work as an activist and community organizer in other movements (SNCC organizing, the Land Grant Movement in Southwest, and the Chicano Movement). Maria Varela begins the interview discussing how she was recruited into the Student Non-violent Coordinating Committee (S

#ld1-1677576977996-1677576994569-0

object

Marian Anderson Sings Spirituals

1 pp

2015.137.4a: A 10 inch, 33 1/3 long play RCA LM 110 record, recorded by Marian Anderson and titled "Marian Anderson Sings Spirituals." Side A has four tracks: Nobody Knows The Trouble I See, Hear De Lam's A-Cryin', My Lord, What A Morning, and Were You There. Side B has six tracks: On Ma Journey, De Gospel Train, Soon-A Will Be Done, Sinner, Please Honor, Honor, and Ride On, King Jesus. The record

#ld1-1643398738600-1643398749998-0

object

Marian Anderson, Celebrated Contralto, Recognized as one of the Greatest of All Time

1 pp

L x W: 5 11/16 x 4 in. (14.4 x 10.2 cm)

#ld1-1643398738600-1643398743527-0

object

Marian Wright Edelman Oral History Interview

1 pp

Turning to the 1960s, Mrs. Edelman discusses her work with the NAACP Legal Defense and Educational Fund in Mississippi and traces the origins of the Poor People’s Campaign to the aftermath of two events: the 1964 Freedom Summer Project and the challenge of the Mississippi Democratic Freedom Party at the 1964 Democratic National Convention. She then discusses the Child Development Group of Mississi

#ld1-1677576977996-1677576994562-0

object

Marilyn Luper Hildreth Oral History Interview

1 pp

The oral history consists of three digital files: 2011.174.12.1a, 2011.174.12.1b, and 2011.174.12.1c.

#ld1-1643398738600-1643398744517-0

object

Martez, Evisu Ball, National Black Theatre Harlem, NY, 2005

1 pp

"The balls are a celebration of black and Latino urban gay life. They were born in Harlem out of a need for black and Latino gays to have a safe space to express themselves. Balls are constructed like beauty and talent pageants. The participants work to redefine and critique gender and sexual identity through an extravagant fashion masquerade. Women and men become fluid, interchangeable points of

#ld1-1643398738600-1643398752440-0

object

Martha Prescod Norman Noonan Oral History Interview

1 pp

The oral history consists of seven digital files: 2011.174.80.1a, 2011.174.80.1b, 2011.174.80.1c, 2011.174.80.1d, 2011.174.80.1e, 2011.174.80.1f, and 2011.174.80.1g.

#ld1-1643398738600-1643398744716-0

object

Martha's Vineyard NAACP Annual Freedom Fund Souvenir Journal

1 pp

A "Souvenir Journal" produced by the Martha's Vineyard NAACP that served as a program to the screening of Liz White's production of "Othello." Nine pages. The cover features a still photograph of the film with text aboe reading [Martha's Vineyard N.A.A.C.P. / Annual Freedom Fund / Souvenir Journal].

#ld1-1643398738600-1643398746366-0

1
2
…
109
110
111
112
113
…
1227
1228

Survos folio core type search

National Museum of African American History and Culture

Filters

<I>Marchers Crossing the Edmund Pettus Bridge</I>

<I>Marchers Settling Down for the Night, Selma to Montgomery March</I>

<I>Marchers Settling at Camp with National guard Helicopter Overhead, Selma to Montgomery March</I>

<I>Marchers Settling at Camp, Selma to Montgomery March</I>

<I>Maria Varela Oral History Interview</I>

<I>Marian Anderson Sings Spirituals</I>

<I>Marian Anderson, Celebrated Contralto, Recognized as one of the Greatest of All Time</I>

<I>Marian Wright Edelman Oral History Interview</I>

<I>Marilyn Luper Hildreth Oral History Interview</I>

<I>Martez, Evisu Ball, National Black Theatre Harlem, NY, 2005</I>

<I>Martha Prescod Norman Noonan Oral History Interview</I>

<I>Martha's Vineyard NAACP Annual Freedom Fund Souvenir Journal</I>