National Museum of African American History and Culture Search

object

Military Police Standing Guard during Delivery of Latrines for Marchers

1 pp

A black-and-white digital image of a line of Military Police standing watch over a delivery of latrines. The policemen stand in a line wearing helmets labeled [MP] and holding guns over their right shoulders. On the left of the image, a large truck has two sets of latrines. A group of men are shown holding the outer edge of the truck or standing a little back looking at the truck. Some of the grou

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object

Military Police and State Troopers Guarding the Alabama State Capitol

1 pp

A black-and-white digital image of the Military Police and Alabama Highway Patrol standing in front of the Alabama State Capitol. In the forefront of the image stands an Alabama Highway Patrolman looking toward the right, one hand resting on his gun and the other holding the strap across his chest. On the left of the image, a Military Policeman is featured mid-stride walking toward the left. A lin

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object

Miniature Black Madonna

7 pp

H x W x D: 1 5/8 × 11/16 × 11/16 in. (4.1 × 1.7 × 1.7 cm)

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object

Ministers' March

1 pp

Ralph Abernathy and Mel Thom march with a crowd. The Washington Monument is in the background. The person on the far proper right side is wearing sunglasses, a white collared shirt, and a coat. They're holding hands with a priest. The priest is wearing a black short sleeve shirt and pants, a white religious collar, a chain with a crucifix, and a pinback button. His mouth is open and his proper lef

#ld1-1643398738600-1643398751892-0

object

Minnie The Moocher and Many, Many More

1 pp

Calloway then transitions to speaking about Duke Ellington and a medley of Ellington songs and film clips play, including 'I Got It Bad and That Ain't Good" and "Cotton Tail." As he thumbs through an unidentified book, Calloway talks about Dorothy Dandridge. A clip from "Easy Street" then plays. Calloway then recalls how he discovered Count Basie in Kansas City and offered him a position in his ba

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object

Minnie the Moocher

1 pp

2015.273.2.9.1a: 16mm film. The film begins with a wide shot of Cab Calloway and his orchestra performing an instrumental version of “St. James Infirmary” as the opening credits appear. Calloway performs an elaborate dance as he conducts the orchestra. In the cartoon’s first scene, Betty Boop is castigated by her parents for refusing to eat. Betty’s father’s head turns into a cylinder phonograph a

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object

Minutes of the Twenty-Ninth Annual Convention of the Woman's Mite Missionary Society

1 pp

Booklet with conference minutes from the Baltimore Branch of the Woman's Mite Missionary Society. The cover text is inside a black border with stitch detailing. The conference was held in Quinn A.M.E. Church in Frederick, Md. Rev. E. T. Addison was the pastor. The price is listed as twenty-five (25) cents. The booklet includes committee reports and budget information. There are pen marks on the fr

#ld1-1643398738600-1643398750643-0

object

Miracle in Harlem

1 pp

The film is about a woman, Julie Weston (Sheila Guyse), who is suspected of killing a real estate tycoon. It opens with a church service in which a choir sings “Swing Low Sweet Chariot.” After the service, Julie’s aunt, Aunt Hattie (Hilda Offley), walks to her candy kitchen where she is greeted by Julie and Julie’s paramour, Bert (William Greaves). Bert and Julie attempt to convince Aunt Hattie to

#ld1-1643398738600-1643398750054-0

object

Miss Brown To You

1 pp

Barkley Hendricks revolutionized portraiture through his stylized realist and post-modern images of African Americans. He began painting life-size portraits as his primary medium to address the lack of Black representation in the American art canon. Hendricks chose his models from his family, friends, people he met on the street, and himself. This portrait of Suzanne Brown exemplifies his personal

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object

Miss You Much

1 pp

2015.263.19a: An audio cassette tape. The cassette is white plastic with black type on each side. Both sides have headers reading: PROGRAM ONE: 7:29/Miss You Much/You Need Me/JANET JACKSON/CASSETTE SINGLE] on Side 1 and Side 2. The A&M Records logo, copyright information, and the cassette number [TS 1495] are featured on both sides.

#ld1-1643398738600-1643398750343-0

object

Mississippi Goddam / Sea Lion Woman

1 pp

A 7 inch, 45 rpm single of the edited version of "Mississippi Goddam" and "Sea Lion Woman" recorded by Nina Simone. The vinyl record (a) has a white label with black text at the center. The paper album sleeve (b) is also white with black. Across the top it has [MISSISSIPPI / *@!!?*@!] in a hand-drawn font along with the [PHILIPS] logo. At center is [BY NINA SIMONE], followed by smaller text readin

#ld1-1643398738600-1643398743984-0

object

Mix Pictorial Magazine vol. 1 no. 3

1 pp

Mix Pictorial Magazine, vol. 1 no. 3, featuring three (3) black-and-white photographs on the front cover. The top fourth of the front cover is the masthead. The masthead is in a black field with the magazine title in white text that reads, [MIX], on the left in a stylized font, and [Pictorial Magazine] on the right. Just below is the magazine’s subtitle, [Voice of the Nation's Mixologist], printed

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National Museum of African American History and Culture

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<I>Military Police Standing Guard during Delivery of Latrines for Marchers</I>

<I>Military Police and State Troopers Guarding the Alabama State Capitol</I>

<I>Miniature Black Madonna</I>

<I>Ministers' March</I>

<I>Minnie The Moocher and Many, Many More </I>

<I>Minnie the Moocher</I>

<I>Minutes of the Twenty-Ninth Annual Convention of the Woman's Mite Missionary Society</I>

<I>Miracle in Harlem</I>

<I>Miss Brown To You</I>

<I>Miss You Much</I>

<I>Mississippi Goddam / Sea Lion Woman</I>

<I>Mix Pictorial Magazine vol. 1 no. 3</I>