National Museum of African American History and Culture Search

object

Holy Bible

1 pp

A leather bound, illustrated bible with sides that once zipped closed to protect the pages; the zipper is now completely disconnected from the front cover. The front cover has black text in the top left quadrant which reads: [HOLY BIBLE / ILLUSTRATED]. In the bottom right quadrant in smaller text it reads: [Hattie McDaniel]. Attached to the zipper slider is a small chain with a larger metal loop a

#ld1-1643398738600-1643398751386-0

object

Holy Bible

7 pp

A printed copy of the Christian Bible printed in 1869, containing the family history of Richard Collins. Blank pages between the Old Testament and the New Testament are filled in with the marriage, birth, and death dates of various members of Collins's family, including his ancestors and his descendants. The information is written in ink and pencil by at least two different hands. The book has bee

#ld1-1643398738600-1643398748736-0

object

Homage to the Panthers

1 pp

This color lithograph depicts bust length images of men from various angles. There are also two raised fists and a machine gun. Each image or group of images is set inside a geometric shaped field. At the top left corner, is an oval with a light orange background. Within the oval are three men in profile, facing to the right. In the upper right corner is a raised fist against a cream background. B

#ld1-1646127893663-1646127902782-1

object

Homecoming

1 pp

H x W x D: 11 x 8 1/2 x 1/8 in. (27.9 x 21.6 x 0.3 cm)

#ld1-1643398738600-1643398746330-0

object

Homegirls & Handgrenades

1 pp

A paperback, signed, first edition, seventh printing of Homegirls & Handgrenades by Sonia Sanchez. The front cover of the book is red with a centrally-featured illustration of an encircled magenta and black floral pattern. Surrounding the circle is a darker red border. Above and below the circle is black text that reads [SONIA / SANCHEZ / homegirls / & / handgrenades]. The back cover of the book i

#ld1-1643398738600-1643398750943-0

object

Hon. Robert B. Elliott of South Carolina Delivering His Great Speech On Civil Rights in the House of Representatives

2 pp

The illustration depicts Elliott, standing on the lower floor, addressing the U. S. House of Representatives. All around him are congressmen, and at the very top, men and women spectators. Hanging from the ceiling is a banner with a quotation from his speech: [WHAT YOU GIVE TO ONE CLASS / YOU MUST GIVE TO ALL, / WHAT YOU DENY TO ONE CLASS / YOU DENY TO ALL / HON. R. B. ELLIOTT’s speech page 4. ].

#ld1-1643398738600-1643398746021-0

object

Honeycomb

1 pp

An assemblage of found materials encased in a wood, metal, and glass container. The front and sides of the rectangular box is made of silver metal. In the front center is a glass window in the shape of a honeycomb, providing a look at the interior where pieces of wood and other materials such as metal, rubber, and cardboard, have been placed to form horizontal layers and striations. On the front b

#ld1-1687336946717-1687336959179-1

object

Hoosier Fancies

1 pp

A shellac 78-rpm record manufactured by the Victor Talking Machine Company. The label in the center, in gold that has faded to white, has an image of a dog near a phonograph with the caption that reads: [His Master’s Voice]. The gold faded to white type of the label reads: [Victor Record / Hoosier Fancies / Parke Hunter / 2406 / Victor Talking Machine Co / Camden NJ / Patented]. Above the label [2

#ld1-1643398738600-1643398749332-1

object

Hosea Williams & Lou Rawls - Resurrection City, Wash., D.C. - 1968

1 pp

This image depicts Hosea Williams and Lou Rawls on a small wooden outdoor stage in Resurrection City with a group of other individuals. Hosea Williams stands in front of the small crowd on stage. Wearing a dark jumpsuit, he holds a microphone in his left hand and gestures with his right. Taken from below, this angle gives him a monumental aspect. Behind him is a group of people, including Lou Rawl

#ld1-1643398738600-1643398748563-0

object

Hostile Residents

1 pp

A black-and-white digital image of a man and a woman making faces out of a brick building window. The woman on the left has her hand spread in front of her nose. The man has his hand closed with his thumb on his nose. The bottom of the window has a floral and vine design with a crest in the middle.

#ld1-1643398738600-1643398749931-0

object

How Hebrews Became Jews

1 pp

A paper pamphlet written by José V. Malcioln. The front cover is white with black type that reads: [How the Hebrews Became Jews / José V. Malcioln]. The interior of the pamphlet, thirty-six pages in total, is on white paper with black type. There are black and white photographs throughout the interior pages and some of them are attributed to Lloyd Yearwood. The back of the pamphlet has a photograp

#ld1-1643398738600-1643398748673-0

object

How To Eat To Live

1 pp

This hardback book is wrapped in a loosely attached sheet of plastic taped to the inside of the covers with large strips of brown, woven tape. The front cover features a cream background framed by a thin brown border. A small photographic portrait of Elijah Muhammad is in the top right corner of the cream section. To the left and above the portrait are two small blocks of text which read [FROM GOD

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National Museum of African American History and Culture

Filters

<I>Holy Bible</I>

<I>Holy Bible</I>

<I>Homage to the Panthers</I>

<I>Homecoming</I>

<I>Homegirls & Handgrenades</I>

<I>Hon. Robert B. Elliott of South Carolina Delivering His Great Speech On Civil Rights in the House of Representatives</I>

<I>Honeycomb</I>

<I>Hoosier Fancies</I>

<I>Hosea Williams & Lou Rawls - Resurrection City, Wash., D.C. - 1968</I>

<I>Hostile Residents</I>

<I>How Hebrews Became Jews</I>

<I>How To Eat To Live</I>