Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

The Studious Woodcutter Zhu Maichen

2 pp

[1] See Original Kakemono and Makimono List, L. 1133, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, P'ang Catalogue: Antique Famous Chinese Paintings Collected by P'ang Lai Ch'en, no. 35.

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painting

The Tale of Genji, Chapter 34; Kashiwagi catches sight of the Third Princess

[1] Undated folder sheet note. See Screens and Panels List, L. 90, pg. 25, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. The majority of Charles Lang Freer’s purchases from Yamanaka & Company were made at its New York branch. Yamanaka & Company maintained branch offices, at various times, in Boston, Chicago, London, Peking, Shanghai, Osaka, Nara, and Kyoto. During the summer, the co

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painting

The Tale of Genji, chapter 2: Prince Genji's visit to Utsusemi

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painting

The Tale of Shuten Dōji

13 pp

(see also F1998.26.2 and F1998.26.3)

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painting

The Tale of Shuten Dōji

12 pp

(see also F1998.26.1 and F1998.26.3)

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painting

The Tale of Shuten Dōji

12 pp

(see also F1998.26.1 and F1998.26.2)

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The Tall Bridge

H. Wunderlich & Co. (1874-1912) (C.L. Freer source)

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painting

The Taoist Immortal Shih-te

4 pp

[1] See Reserved Kakemono List, R. 1379, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

The Tearful Parting of Su Wu and Li Ling

2 pp

[1] See Reserve Kakemono List, R. 993, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

The Thames in Ice

2 pp

After Whistler moved from Paris to London in 1859, he found the river Thames to be a constant source of inspiration. Originally titled “The Twenty-fifth of December 1860. On the Thames,” this picture records a particular moment during a bitterly cold winter, when the river was frozen for more than fourteen weeks. Although he likely retouched the work later in the decade, Whistler claimed to have c

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painting

The Three Stars

[1] See Reserved Panel List, R. 24, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, LVC Catalogue, 1915, No. 65.

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The Title Page for 'Douze Eaux Fortes d'après Nature' (Twelve Etchings after Nature), the "French Set"

2 pp

Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G22 state 1 of 1.

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