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Source Description

Primarily self-taught, Varley played a significant role in the development of open-air drawing practice in 19thcentury England. He relished the opportunity to engage directly with natural phenomena and made numerous sketches of the English landscape. Raised by his uncle who was a watchmaker, Varley combined his artistic interests with his exposure to science, and in 1809 invented a "graphic telescope," a drawing instrument loosely derived from the camera obscura. Varley’s drawings were more than mere transcriptions of nature, however. This drawing illustrates a stanza of Samuel Roger’s popular poem "The Pleasures of Memory": The adventuring boy that asks his little share And hies from home, with many a gossip’s prayer Turns on a neighboring hill once more to see The dear abode of peace and privacy; And as he turns, the thatch among the trees The smoke’s blue wreaths, ascending from the breeze, The Village Common scattered with white sheep All rouse reflection’s sadly pleasing train And oft he looks, and weeps, and looks again.

Scholar Source Context

Document identity
localId
163464
label
Landscape with Figure in Foreground
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
163464
contentType
drawing
title
Landscape with Figure in Foreground
description
Primarily self-taught, Varley played a significant role in the development of open-air drawing practice in 19thcentury England. He relished the opportunity to engage directly with natural phenomena and made numerous sketches of the English landscape. Raised by his uncle who was a watchmaker, Varley combined his artistic interests with his exposure to science, and in 1809 invented a "graphic telescope," a drawing instrument loosely derived from the camera obscura. Varley’s drawings were more than mere transcriptions of nature, however. This drawing illustrates a stanza of Samuel Roger’s popular poem "The Pleasures of Memory": The adventuring boy that asks his little share And hies from home, with many a gossip’s prayer Turns on a neighboring hill once more to see The dear abode of peace and privacy; And as he turns, the thatch among the trees The smoke’s blue wreaths, ascending from the breeze, The Village Common scattered with white sheep All rouse reflection’s sadly pleasing train And oft he looks, and weeps, and looks again.
date
c. 1840
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79989562
creators
27651
genreSpecific
Drawing
imageCount
1
source
import
dimensionsRaw
Sheet: 49.1 x 38.1 cm (19 5/16 x 15 in.)
cul
England, 19th century
accession
2004.4
Source extras
tec
brown ink and brown wash with graphite
tombstone
Landscape with Figure in Foreground, c. 1840. Cornelius Varley (British, 1781–1873). Brown ink and brown wash with graphite; sheet: 49.1 x 38.1 cm (19 5/16 x 15 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.40
supportMaterials
description
wove paper with watermark
collection
DR - British
inscriptions
inscription
signed in ink: Cornelius Varley; notes on verso in graphite
creditline
John L. Severance Fund
updatedAt
2026-05-29 08:29:29.570000
sourceId
163464
dept
Drawings
coll
DR - British
med
brown ink and brown wash with graphite
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
9798d320d97060e4