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Source Description
This pair of portraits depict George Fitzwilliam, an English merchant, and his American wife Eleanor Ramsay Fitzwilliam, who sat in New York for the French émigré artist Charles Balthazar Julien Févret de Saint-Mémin. Saint-Mémin used a recently invented mechanical device called a <em>physiognotrace</em> to trace accurate profiles of his sitters, which he then completed in black and white chalks. The technology enabled Saint-Mémin to establish a thriving business catering to prominent Americans—including Presidents Washington, Adams, Jefferson, and Madison, Benjamin Franklin, and several Native American chiefs—at a time when he was in exile from the French Revolution. As part of each commission, Saint-Mémin also supplied etchings of the portrait in a reduced size, which could be given as keepsakes to family and friends.
Scholar Source Context
Document identity
localId
672129
label
Portraits of Georges Arnold Fitzwilliam and Portrait of Eleanor Ramsay Fitzwilliam; a pair
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
672129
contentType
drawing
title
Portraits of Georges Arnold Fitzwilliam and Portrait of Eleanor Ramsay Fitzwilliam; a pair
description
This pair of portraits depict George Fitzwilliam, an English merchant, and his American wife Eleanor Ramsay Fitzwilliam, who sat in New York for the French émigré artist Charles Balthazar Julien Févret de Saint-Mémin. Saint-Mémin used a recently invented mechanical device called a <em>physiognotrace</em> to trace accurate profiles of his sitters, which he then completed in black and white chalks. The technology enabled Saint-Mémin to establish a thriving business catering to prominent Americans—including Presidents Washington, Adams, Jefferson, and Madison, Benjamin Franklin, and several Native American chiefs—at a time when he was in exile from the French Revolution. As part of each commission, Saint-Mémin also supplied etchings of the portrait in a reduced size, which could be given as keepsakes to family and friends.
date
c. 1790–1852
citation
rights
CC0
rightsUri
CC0
language
en
wikidata
Q127514765
creators
672121
genreSpecific
Drawing
imageCount
1
source
import
cul
France
accession
2024.35
Source extras
tec
Black and white chalk on buff paper with pink wash in original frames
tombstone
Portraits of Georges Arnold Fitzwilliam and Portrait of Eleanor Ramsay Fitzwilliam; a pair, c. 1790–1852. Charles Balthazar Julien Fevret de Saint-Mémin (French, 1770–1852). Black and white chalk on buff paper with pink wash in original frames. The Cleveland Museum of Art, Alma Kroeger Fund, 2024.35
collection
DR - French
didYouKnow
The <em>physiognotrace</em> device used to create this portrait consisted of a wooden frame within which a sitter posed in profile; the artist then peered through an eyepiece and followed the contour and features of the sitter’s face by maneuvering a graphite pencil attached to the mechanism.
citations
citation
Miles, Ellen Gross, and Dru Dowdy. Saint-Mémin and the Neoclassical Profile Portrait in America. [Washington D.C.]: National Portrait Gallery, 1994.
page_number
p. 302, nos. 325 and 326 (illustrated by reproductions of prints).
creditline
Alma Kroeger Fund
updatedAt
2026-05-29 09:14:30.007000
sourceId
672129
dept
Drawings
coll
DR - French
med
Black and white chalk on buff paper with pink wash in original frames
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
70596bd45ac920ea