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Source Description

The unknown sitter has powdered hair, brown eyes, a ruddy complexion, and facial hair stubble. He wears a red military coat with black facings, gold buttons, gold epaulet, a white waistcoat, and frilled cravat. His uniform identifies him as an Indian militia officer, though his precise rank cannot be determined since his left shoulder is not visible. The background is mottled gray. The red of the officer’s coat is also painted in red on the back of the ivory support. Back-painting was a process employed by miniaturists to heighten the brilliancy of certain colors, especially in a sitter’s costume and on the face to enhance bright eyes or pink lips and cheeks. John Smart did not back-paint all of his works, using the technique selectively in portraits in which he wished to achieve a particularly bright color that would show through the back due to the translucency of the thin ivory. The miniature is housed in a contemporary gold frame. <br>This portrait is unsigned and undated, which was an unusual practice for Smart and may be explained by the existence of a variant of this portrait signed and dated “JS / 1794 / I.” Daphne Foskett reproduces the signed work in her 1987 catalogue and refers to the Cleveland miniature as a “replica.” The Cleveland portrait may have been a second version by Smart, who sometimes did not sign even the copies he executed himself. This variant is probably the one referred to by Arthur Jaffé as being formerly in the Warneck collection and sold in Paris on April 11, 1924, by the dealer Leo <br>Schidlof. By 1976 it was in the Asprey collection in London. The miniature was then sold at auction at Christie’s, London, on March 17, 1987 (lot 141) and purchased by David Berkeley, Channel Islands. The sales catalogue identifies the gentleman as an officer of the 5th Madras Native Infantry; however, when Berkeley contacted the National Army Museum in London regarding the identification of the uniform, he was told that this attribution was incorrect, as that regiment had black facing colors only after 1798.

Scholar Source Context

Document identity
localId
121287
label
Portrait of an Officer
core
obj
dtoType
object
pageCount
1
Source metadata
id
121287
contentType
object
title
Portrait of an Officer
description
The unknown sitter has powdered hair, brown eyes, a ruddy complexion, and facial hair stubble. He wears a red military coat with black facings, gold buttons, gold epaulet, a white waistcoat, and frilled cravat. His uniform identifies him as an Indian militia officer, though his precise rank cannot be determined since his left shoulder is not visible. The background is mottled gray. The red of the officer’s coat is also painted in red on the back of the ivory support. Back-painting was a process employed by miniaturists to heighten the brilliancy of certain colors, especially in a sitter’s costume and on the face to enhance bright eyes or pink lips and cheeks. John Smart did not back-paint all of his works, using the technique selectively in portraits in which he wished to achieve a particularly bright color that would show through the back due to the translucency of the thin ivory. The miniature is housed in a contemporary gold frame. <br>This portrait is unsigned and undated, which was an unusual practice for Smart and may be explained by the existence of a variant of this portrait signed and dated “JS / 1794 / I.” Daphne Foskett reproduces the signed work in her 1987 catalogue and refers to the Cleveland miniature as a “replica.” The Cleveland portrait may have been a second version by Smart, who sometimes did not sign even the copies he executed himself. This variant is probably the one referred to by Arthur Jaffé as being formerly in the Warneck collection and sold in Paris on April 11, 1924, by the dealer Leo <br>Schidlof. By 1976 it was in the Asprey collection in London. The miniature was then sold at auction at Christie’s, London, on March 17, 1987 (lot 141) and purchased by David Berkeley, Channel Islands. The sales catalogue identifies the gentleman as an officer of the 5th Madras Native Infantry; however, when Berkeley contacted the National Army Museum in London regarding the identification of the uniform, he was told that this attribution was incorrect, as that regiment had black facing colors only after 1798.
date
c. 1794
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80017099
creators
3691
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 6.5 x 5.4 cm (2 9/16 x 2 1/8 in.); Unframed: 6.4 x 5.4 cm (2 1/2 x 2 1/8 in.)
cul
England, late 18th century
accession
1942.1157
Source extras
tec
watercolor on ivory in a contemporary gold frame with plain back
tombstone
Portrait of an Officer, c. 1794. John I Smart (British, 1741–1811). Watercolor on ivory in a contemporary gold frame with plain back; framed: 6.5 x 5.4 cm (2 9/16 x 2 1/8 in.); unframed: 6.4 x 5.4 cm (2 1/2 x 2 1/8 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1942.1157
collection
P - British before 1800
didYouKnow
The uniform worn by this unknown sitter identifies him as an Indian militia officer.
citations
citation
Cleveland Museum of Art. <em>Portrait Miniatures: The Edward B. Greene Collection.</em> Cleveland, OH: The Cleveland Museum of Art, 1951.
page_number
Reproduced: p. 30, no. 36, pl. X
citation
Smart, John, and Rose E. Taggart. <em>John Smart - Miniaturist, 1741/42-1811: Starr Collection of Consecutively Dated Miniatures and Special Loan Exhibition : William Rockhill Nelson Gallery of Art, Mary Atkins Museum of Fine Arts, Kansas City, Missouri, Decmeber 9, 1965 to January 2, 1966</em>. Kansas City, Mo: The Gallery, 1966.
page_number
Mentioned: cat. no. 31
citation
Foskett, Daphne. <em>Miniatures: Dictionary and Guide</em>. Woodbridge, Suffolk, United Kingdom: Antique Collectors' Club, 1987.
page_number
P)l. 31A [for variant of this miniature]
citation
Korkow, Cory, and Dario Robleto.<em> Disembodied: Portrait Miniatures and Their Contemporary Relatives</em>. 2013.
page_number
Mentioned: p.81
citation
Korkow, Cory, and Jon L. Seydl. <em>British Portrait Miniatures: The Cleveland Museum of Art.</em> 2013.
page_number
Cat. no. 32, pp. 150-152
creditline
The Edward B. Greene Collection
updatedAt
2026-05-29 06:14:56.873000
sourceId
121287
dept
European Painting and Sculpture
coll
P - British before 1800
med
watercolor on ivory in a contemporary gold frame with plain back
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
fc7c143ed025d4d2