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Source Description
John Smart painted this miniature in India, where he was based in Madras. The unidentified sitter has gray-brown eyes and powdered hair worn <em>en queue</em>. Smart painted the hair with a combination of loose brushstrokes, over which fine white lines are applied to suggest individual hairs and create movement that is carried through the stippling of the face. The manner in which he mixed his colors sometimes resulted in an alteration of the pigment, causing a sitter’s hair to appear pinkish, as can be seen here. A dusting of powder is visible on the sitter’s shoulder. He wears a blue coat featuring a red collar and a high white stock collar with a bow and ruffled jabot, the general effect of which is sometimes taken to suggest a military uniform. However, similar blue and red coats can be seen in portraits of American, British, and French gentlemen, including those of independent means, so this style of dress seems not to have been associated with any particular military or civilian uniform. The sitter’s face is sensitively described with Smart’s trademark stippling.<br>Highlights over the brow, upper lip, around the eyes, and at the tip of the nose are created less with the addition of white than through the absence of darker stippled pigment. The overall result is a degree of warmth and depth not often found among the portraits of Smart’s contemporaries. The miniature is housed in a simple gold frame.
Scholar Source Context
Document identity
localId
127229
label
Portrait of a Man
core
obj
dtoType
object
pageCount
1
Source metadata
id
127229
contentType
object
title
Portrait of a Man
description
John Smart painted this miniature in India, where he was based in Madras. The unidentified sitter has gray-brown eyes and powdered hair worn <em>en queue</em>. Smart painted the hair with a combination of loose brushstrokes, over which fine white lines are applied to suggest individual hairs and create movement that is carried through the stippling of the face. The manner in which he mixed his colors sometimes resulted in an alteration of the pigment, causing a sitter’s hair to appear pinkish, as can be seen here. A dusting of powder is visible on the sitter’s shoulder. He wears a blue coat featuring a red collar and a high white stock collar with a bow and ruffled jabot, the general effect of which is sometimes taken to suggest a military uniform. However, similar blue and red coats can be seen in portraits of American, British, and French gentlemen, including those of independent means, so this style of dress seems not to have been associated with any particular military or civilian uniform. The sitter’s face is sensitively described with Smart’s trademark stippling.<br>Highlights over the brow, upper lip, around the eyes, and at the tip of the nose are created less with the addition of white than through the absence of darker stippled pigment. The overall result is a degree of warmth and depth not often found among the portraits of Smart’s contemporaries. The miniature is housed in a simple gold frame.
date
1786
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79907081
creators
3691
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 5.5 x 4.2 cm (2 3/16 x 1 5/8 in.); Unframed: 4.9 x 3.7 cm (1 15/16 x 1 7/16 in.)
cul
England, 18th century
accession
1949.546
Source extras
tec
watercolor on ivory in a gold frame
tombstone
Portrait of a Man, 1786. John I Smart (British, 1741–1811). Watercolor on ivory in a gold frame; framed: 5.5 x 4.2 cm (2 3/16 x 1 5/8 in.); unframed: 4.9 x 3.7 cm (1 15/16 x 1 7/16 in.). The Cleveland Museum of Art, The Edward B. Greene Collection, 1949.546
collection
P - British before 1800
inscriptions
inscription
signed lower left: J S / 1786 / I [The initial I indicates a miniature painted in India, where Smart worked between 1785 and 1795.]
didYouKnow
John Smart signed this miniature in the corner with his initials and the date 1786.
citations
citation
Cleveland Museum of Art. <em>Portrait Miniatures: The Edward B. Greene</em> <em>Collection.</em> Cleveland, OH: The Cleveland Museum of Art, 1951.
page_number
Reproduced: p. 30, no. 34. pl. IX
citation
Smart, John, and Rose E. Taggart. <em>John Smart - Miniaturist, 1741/42-1811: Starr Collection of Consecutively Dated Miniatures and Special Loan Exhibition : William Rockhill Nelson Gallery of Art, Mary Atkins Museum of Fine Arts, Kansas City, Missouri, Decmeber 9, 1965 to January 2, 1966</em>. Kansas City, Mo: The Gallery, 1966.
page_number
Mentioned: cat. no. 21
citation
Cleveland Museum of Art, and Alan Chong.<em> European & American Painting in the Cleveland Museum of Art: A Summary Catalogue</em>. Cleveland, Ohio: Cleveland Museum of Art, 1993.
page_number
p. 304
citation
Korkow, Cory, and Dario Robleto.<em> Disembodied: Portrait Miniatures and Their Contemporary Relatives</em>. 2013.
page_number
Mentioned: p.81
citation
Korkow, Cory, and Jon L. Seydl. <em>British Portrait Miniatures: The Cleveland Museum of Art</em>. 2013.
page_number
Cat. no. 30, pp. 146-147
creditline
The Edward B. Greene Collection
updatedAt
2026-05-29 06:33:27.299000
sourceId
127229
dept
European Painting and Sculpture
coll
P - British before 1800
med
watercolor on ivory in a gold frame
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
54ff9c8a324c0995