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Morris envisioned textiles such as <em>Violet and Columbine</em> hanging in heavy folds, the rich colors and flowing pattern suggesting a garden wall. He strongly preferred experimenting with natural dyes instead of using the garish chemical ones that had become standard in industrialized England. Even though organic dyes were expensive and scarce, and required dyers to revive old methods, they were less likely to fade in the light or during washing, and they were capable of producing more subtle tonal effects. A sense of the process of hand-weaving can be understood by looking at the back of this textile. The warp (up and down) threads are light blue and green—visible at the bottom. The textile was woven in long lengths that could be cut at these passages of loose thread. The weft (side to side) threads in several colors, including red, pink, yellow, and blue, are more visible from the back than the front, where they disappear into the pattern.

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Page
1
Source index
0
Type
photo
Media ID
7c6d15d464f9f3b3
Size
unknown

Document data

ID
130607
Core
obj
Type
object
DTO data
{
    "id": "130607",
    "contentType": "object",
    "title": "Violet and Columbine",
    "description": "Morris envisioned textiles such as <em>Violet and Columbine</em> hanging in heavy folds, the rich colors and flowing pattern suggesting a garden wall. He strongly preferred experimenting with natural dyes instead of using the garish chemical ones that had become standard in industrialized England. Even though organic dyes were expensive and scarce, and required dyers to revive old methods, they were less likely to fade in the light or during washing, and they were capable of producing more subtle tonal effects. A sense of the process of hand-weaving can be understood by looking at the back of this textile. The warp (up and down) threads are light blue and green—visible at the bottom. The textile was woven in long lengths that could be cut at these passages of loose thread. The weft (side to side) threads in several colors, including red, pink, yellow, and blue, are more visible from the back than the front, where they disappear into the pattern.",
    "date": "1883",
    "citation": "https://clevelandart.org/art/1953.329",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q60780892"
    ],
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        24604
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    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 122.6 x 180.7 cm (48 1/4 x 71 1/8 in.)",
    "cul": [
        "England, Surrey, Merton Abbey"
    ],
    "accession": "1953.329"
}

Context sent to Scholar

Document identity
{
    "localId": "130607",
    "label": "Violet and Columbine",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "130607",
    "contentType": "object",
    "title": "Violet and Columbine",
    "description": "Morris envisioned textiles such as <em>Violet and Columbine</em> hanging in heavy folds, the rich colors and flowing pattern suggesting a garden wall. He strongly preferred experimenting with natural dyes instead of using the garish chemical ones that had become standard in industrialized England. Even though organic dyes were expensive and scarce, and required dyers to revive old methods, they were less likely to fade in the light or during washing, and they were capable of producing more subtle tonal effects. A sense of the process of hand-weaving can be understood by looking at the back of this textile. The warp (up and down) threads are light blue and green—visible at the bottom. The textile was woven in long lengths that could be cut at these passages of loose thread. The weft (side to side) threads in several colors, including red, pink, yellow, and blue, are more visible from the back than the front, where they disappear into the pattern.",
    "date": "1883",
    "citation": "https://clevelandart.org/art/1953.329",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
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    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1953.329/1953.329_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1953.329/1953.329_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 122.6 x 180.7 cm (48 1/4 x 71 1/8 in.)",
    "cul": [
        "England, Surrey, Merton Abbey"
    ],
    "accession": "1953.329"
}
Document source extras
{
    "tec": "jacquard loom woven weft-faced twill, double cloth; wool and mohair",
    "tombstone": "Violet and Columbine, 1883. William Morris (British, 1834–1896). Jacquard loom woven weft-faced twill, double cloth; wool and mohair; overall: 122.6 x 180.7 cm (48 1/4 x 71 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. Philip White, 1953.329",
    "collection": "Textiles",
    "relatedWorks": [
        {
            "id": 114728,
            "description": "Violet and Columbine, 1883. William Morris (British, 1834–1896). Wool and mohair: jacquard loom woven weft-faced twill, double cloth; overall: 73.7 x 101 cm (29 x 39 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. Philip White 1934.329"
        }
    ],
    "citations": [
        {
            "citation": "Korkow, Cory. \"Designing an Earthly Paradise.” <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 6 (November/December 2017): 5-7.",
            "page_number": "Reproduced: P. 7; Mentioned: P. 6, 7",
            "url": "https://archive.org/details/CMAMM2017-06/page/n3/mode/2up"
        },
        {
            "citation": "Korkow, Cory, Victoria Hepburn, and William Morris. <em>William Morris: Designing an Earthly Paradise.</em> Cleveland, Ohio : Cleveland Museum of Art, 2017.",
            "page_number": "Reproduced and mentioned: pp. 4-6, fig. 1, 2."
        }
    ],
    "url": "https://clevelandart.org/art/1953.329",
    "creditline": "Gift of Mrs. Philip White",
    "updatedAt": "2026-05-29 06:45:18.865000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1953.329/1953.329_print.jpg",
    "sourceId": 130607,
    "dept": "Textiles",
    "coll": "Textiles",
    "med": "jacquard loom woven weft-faced twill, double cloth; wool and mohair",
    "creatorTags": [
        "male"
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    "thumbnail_url": null,
    "image_url": null
}
Page context
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