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Source Description

This ivory plaque represents a full-length figure of Christ flanked by bust-length portraits of the twelve apostles, six in a vertical column on each side. With his large eyes fixed on the beholder and his mouth slightly open, Christ seems about to speak to the apostles, charging them with the mission of preaching the Gospel to the world. The plaque may originally have formed the central decoration of a precious Gospel book cover that may have looked much like the one Christ carries in this image.

Scholar Source Context

Document identity
localId
143604
label
Christ's Mission to the Apostles
core
obj
dtoType
object
pageCount
1
Source metadata
id
143604
contentType
object
title
Christ's Mission to the Apostles
description
This ivory plaque represents a full-length figure of Christ flanked by bust-length portraits of the twelve apostles, six in a vertical column on each side. With his large eyes fixed on the beholder and his mouth slightly open, Christ seems about to speak to the apostles, charging them with the mission of preaching the Gospel to the world. The plaque may originally have formed the central decoration of a precious Gospel book cover that may have looked much like the one Christ carries in this image.
date
c. 970–980
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60755927
genreSpecific
Ivory
imageCount
1
source
import
dimensionsRaw
Overall: 18.2 x 9.9 x 1 cm (7 3/16 x 3 7/8 x 3/8 in.)
cul
Ottonian, Italy, Milan, Gothic period, 10th century
accession
1967.65
Source extras
tec
ivory
tombstone
Christ's Mission to the Apostles, c. 970–980. Ottonian, Italy, Milan, Gothic period, 10th century. Ivory; overall: 18.2 x 9.9 x 1 cm (7 3/16 x 3 7/8 x 3/8 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1967.65
collection
MED - Gothic
citations
citation
“Year in Review.” <em>The Bulletin of the Cleveland Museum of Art</em> 54, no. 10 (December 1967): 302–346.
page_number
Mentioned: p. 42, no. 29; Reproduced: Back cover
citation
Wixom, William D. “An Ottonian Ivory Book Cover.” <em>The Bulletin of the Cleveland Museum of Art</em> 55, no. 9 (November 1968): 275–289.
page_number
Reproduced: p. 274, fig. 1, Cover; Mentioned: p. 275, 279
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.
page_number
Reproduced: p. 44
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
page_number
Reproduced: p. 49
citation
Evans, Helen C., and William D. Wixom. <em>The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261</em>. New York: Metropolitan Museum of Art, 1997.
page_number
Mentioned and Reproduced: p. 490
citation
Cleveland Museum of Art, and Holger A. Klein<em>. Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art.</em> Cleveland, Ohio: Cleveland Museum of Art, 2007.
page_number
Mentioned and reproduced: P. 128-129, no. 41
citation
Goetsch, Emily. "World Maps and Waterways: Place and Space in the Beatus Mappaemundi." In <em>Place and Space in the Medieval World.</em> Meg Boulton, Jane Hawkes and Heidi Stoner, 198-209. NY: Routlege, Taylor &amp; Francis Group Ltd., 2018.
page_number
Mentioned; p. 201, p. 208, note #8
citation
Gertsman, Elina and Barbara H. Rosenwein. <em>The Middle Ages in 50 Objects</em>. Cambridge: Cambridge University Press, 2018.
page_number
Mentioned: p. 18-21; Reproduced: p. 19
creditline
Gift of the John Huntington Art and Polytechnic Trust
updatedAt
2026-05-29 07:22:20.498000
sourceId
143604
dept
Medieval Art
coll
MED - Gothic
med
ivory
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
e9530cbb830ed643