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Source Description
In 1625 Nicholas Briot traveled from Paris and obtained employment in England. In 1628 he was commissioned to design portraits and in 1631 records show that he was working at the Tower Mint. On his first appointment he was authorized to install machines for striking medals. He was formally empowered on February 11, 1629, to extend their use to experiment on coining. The results were scrutinized in 1631 by a royal commission and the following year he was formally appointment as engraver-general in England and had an augmented salary of 300 pounds. From then until 1638 Briot minted a small fraction of the gold and silver coin by machine. By means of the even pressure of the screw press on a rolled planchet obtained from the rolling mill, and by a collar that kept the metal from flowing unevenly, Briot was able to produce a neat round coin. His fame, however, is that he was the finest die-cutter England had known since Alexander of Brugsal engraved the famous profile portrait of Henry VIII (1485–1509). Like Eloy Mestrelle (1561), Briot met with great opposition from his co-workers, but because of his great artistic ability he was backed by King Charles I and no one could displace him. During the English Civil War he was retained by the Tower, but his influence can be seen in some of the coins struck at Oxford and York, and he also worked in Scotland on some of the Scottish coins. He died in 1646, four years after the war had started.
Scholar Source Context
Document identity
localId
144476
label
Unite: Charles I (obverse); Crowned Shield (reverse)
core
obj
dtoType
object
pageCount
1
Source metadata
id
144476
contentType
object
title
Unite: Charles I (obverse); Crowned Shield (reverse)
description
In 1625 Nicholas Briot traveled from Paris and obtained employment in England. In 1628 he was commissioned to design portraits and in 1631 records show that he was working at the Tower Mint. On his first appointment he was authorized to install machines for striking medals. He was formally empowered on February 11, 1629, to extend their use to experiment on coining. The results were scrutinized in 1631 by a royal commission and the following year he was formally appointment as engraver-general in England and had an augmented salary of 300 pounds. From then until 1638 Briot minted a small fraction of the gold and silver coin by machine. By means of the even pressure of the screw press on a rolled planchet obtained from the rolling mill, and by a collar that kept the metal from flowing unevenly, Briot was able to produce a neat round coin. His fame, however, is that he was the finest die-cutter England had known since Alexander of Brugsal engraved the famous profile portrait of Henry VIII (1485–1509). Like Eloy Mestrelle (1561), Briot met with great opposition from his co-workers, but because of his great artistic ability he was backed by King Charles I and no one could displace him. During the English Civil War he was retained by the Tower, but his influence can be seen in some of the coins struck at Oxford and York, and he also worked in Scotland on some of the Scottish coins. He died in 1646, four years after the war had started.
date
1631–32
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79921732
creators
443372
genreSpecific
Coins
imageCount
1
source
import
dimensionsRaw
Diameter: 3.3 cm (1 5/16 in.)
cul
England, Charles I, 1625-1649
accession
1969.194
Source extras
tec
gold
tombstone
Unite: Charles I (obverse); Crowned Shield (reverse), 1631–32. Nicholas Briot (French, c. 1579–1646). Gold; diameter: 3.3 cm (1 5/16 in.). The Cleveland Museum of Art, The Norweb Collection, 1969.194
collection
MED - Numismatics
inscriptions
inscription
CAROLVS∙D:G∙MAGN∙BRITANN∙FRAN∙ET∙HIBER∙REX, XX
inscription_translation
Charles by the Grace of God King of Great Britain France and Ireland, 20 (shillings)
inscription
FLORENT∙CONCORDIA∙REGNA C R
inscription_translation
Through concord kingdoms flourish
inscription_remark
reverse
didYouKnow
This was the first coin milled or produced by machine in England, previously all issue was hand struck.
citations
citation
Cleveland Museum of Art, and Emery May Norweb. <em>English Gold Coins, Ancient to Modern Times, On Loan to the Cleveland Museum of Art from the Norweb Collection</em>. [Catalog. 1968.
page_number
p. 53
creditline
The Norweb Collection
updatedAt
2026-05-29 07:25:14.198000
sourceId
144476
dept
Medieval Art
coll
MED - Numismatics
med
gold
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
36812023b91b133a