Ask the Scholar

Page 1 of 1
I can add historical knowledge about this page.

Page image

Page 1

Document source description

Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.

Page data

Page
1
Source index
0
Type
photo
Media ID
1ec3339635deabe6
Size
unknown

Document data

ID
145221
Core
obj
Type
object
DTO data
{
    "id": "145221",
    "contentType": "object",
    "title": "The Queen of the Fishes: Plate 4",
    "description": "Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.",
    "date": "1894",
    "citation": "https://clevelandart.org/art/1970.50.d",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q79923263"
    ],
    "creators": [
        27482
    ],
    "genreSpecific": [
        "Bound Volume"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.)",
    "cul": [
        "England, 19th century"
    ],
    "accession": "1970.50.d"
}

Context sent to Scholar

Document identity
{
    "localId": "145221",
    "label": "The Queen of the Fishes: Plate 4",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "145221",
    "contentType": "object",
    "title": "The Queen of the Fishes: Plate 4",
    "description": "Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.",
    "date": "1894",
    "citation": "https://clevelandart.org/art/1970.50.d",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q79923263"
    ],
    "creators": [
        27482
    ],
    "genreSpecific": [
        "Bound Volume"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.)",
    "cul": [
        "England, 19th century"
    ],
    "accession": "1970.50.d"
}
Document source extras
{
    "tec": "color woodcut",
    "tombstone": "The Queen of the Fishes: Plate 4, 1894. Lucien Pissarro (British, 1863–1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). The Cleveland Museum of Art, Gift of Henry H. Hawley for the fiftieth anniversary of The Print Club of Cleveland, 1970.50.d",
    "collection": "PR - Woodcut",
    "citations": [
        {
            "citation": "Montañés-lleras, Susana. “Of Technology and Fantasy: fairy tales, fables, and the transformation of illustration in the long 19th century.” <em>Gramarye : The Journal of the Sussex Centre for Folklore, Fairy Tales and Fantasy</em> 28 (Winter 2025): 51-65.",
            "page_number": "Reproduced p. 61, fig. 8, Mentioned: p. 63-64."
        }
    ],
    "url": "https://clevelandart.org/art/1970.50.d",
    "creditline": "Gift of Henry H. Hawley for the fiftieth anniversary of The Print Club of Cleveland",
    "updatedAt": "2026-05-29 07:27:35.062000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_print.jpg",
    "sourceId": 145221,
    "dept": "Prints",
    "coll": "PR - Woodcut",
    "med": "color woodcut",
    "creatorTags": [
        "male"
    ],
    "thumbnail_url": null,
    "image_url": null
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://openaccess-cdn.clevelandart.org/1970.50.d/1970.50.d_web.jpg",
    "mediaId": "1ec3339635deabe6"
}