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{
    "localId": "149685",
    "label": "Reverberations of Taiga",
    "core": "obj",
    "dtoType": "object"
}

{
    "id": "149685",
    "contentType": "object",
    "title": "Reverberations of Taiga",
    "description": "Traditionally, young painters in Japan began their studies with an established master painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ike Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.",
    "date": "mid-1700s–1802",
    "citation": "https://clevelandart.org/art/1979.73",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q60474105"
    ],
    "creators": [
        35683
    ],
    "genreSpecific": [
        "Portfolio"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1979.73/1979.73_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1979.73/1979.73_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1979.73/1979.73_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "[\"Album\",\"closed: 28.3 x 33 cm (11 1/8 x 13 in.)\"]",
    "cul": [
        "Japan, Edo period (1615–1868)"
    ],
    "accession": "1979.73"
}

{
    "tec": "set of two albums of 36 double-leaves each; ink, or ink and light color on paper",
    "tombstone": "Reverberations of Taiga (大雅餘韻), mid-1700s–1802. Aoki Shukuya (Japanese, d. 1802). Set of two albums of 36 double-leaves each; ink, or ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1979.73",
    "titleInOriginalLanguage": "大雅餘韻",
    "collection": "Japanese Art",
    "didYouKnow": "Aoki Shukuya was a top student of painter Ike Taiga (1723–1776) and took responsibility for Taiga’s stylistic legacy.",
    "citations": [
        {
            "citation": "Lee, Sherman E. “The Year in Review for 1979.” <em>The Bulletin of the Cleveland Museum of Art</em> 67, no. 3 (March 1980): 58–99.",
            "page_number": "Mentioned: p. 98; Reproduced: p. 88, no. 121",
            "url": "http://www.jstor.org/stable/25159667"
        },
        {
            "citation": "Graham, Patricia J. \"Lifestyles of Scholar-Painters in Edo Japan.\" <em>The Bulletin of the Cleveland Museum of Art</em> 77, no. 7 (1990): 262–283.",
            "page_number": "Reproduced and Mentioned: pp. 268–269, 282",
            "url": "https://www.jstor.org/stable/25161293"
        }
    ],
    "url": "https://clevelandart.org/art/1979.73",
    "creditline": "Andrew R. and Martha Holden Jennings Fund",
    "updatedAt": "2026-06-17 12:46:56.497000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1979.73/1979.73_print.jpg",
    "sourceId": 149685,
    "dept": "Japanese Art",
    "coll": "Japanese Art",
    "med": "set of two albums of 36 double-leaves each; ink, or ink and light color on paper",
    "creatorTags": [
        "male"
    ],
    "thumbnail_url": null,
    "image_url": null
}

{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://openaccess-cdn.clevelandart.org/1979.73/1979.73_web.jpg",
    "mediaId": "c05e4cc8d25bc04f"
}