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Kusakabe Meikaku, one of the three most famous Japanese calligraphers of his time, provided a title leaf, <a href="https://www.clevelandart.org/art/1979.73.1.1"><u>CMA 1979.73.1.1</u></a>, for a pair of albums of paintings after Ike Taiga (池大雅) (1723–1776) by his student Aoki Shukuya (青木夙夜) (died 1802). Murata Kōkoku, a well-traveled painter with an extensive network of colleagues in China and Japan, wrote a postscript for the albums in which he explained that the paintings are faithful copies after Taiga’s images of rocks, mountains, residences, and so forth. These two artists respectfully documented Shukuya’s work more than 100 years after his death.
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- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 8f1731be679724dd
- Size
- unknown
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- ID
- 149753
- Core
- obj
- Type
- object
DTO data
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"title": "Postscript from “Reverberations of Taiga”",
"description": "Kusakabe Meikaku, one of the three most famous Japanese calligraphers of his time, provided a title leaf, <a href=\"https://www.clevelandart.org/art/1979.73.1.1\"><u>CMA 1979.73.1.1</u></a>, for a pair of albums of paintings after Ike Taiga (池大雅) (1723–1776) by his student Aoki Shukuya (青木夙夜) (died 1802). Murata Kōkoku, a well-traveled painter with an extensive network of colleagues in China and Japan, wrote a postscript for the albums in which he explained that the paintings are faithful copies after Taiga’s images of rocks, mountains, residences, and so forth. These two artists respectfully documented Shukuya’s work more than 100 years after his death.",
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}
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Document identity
{
"localId": "149753",
"label": "Postscript from “Reverberations of Taiga”",
"core": "obj",
"dtoType": "object"
}
Document source metadata
{
"id": "149753",
"contentType": "object",
"title": "Postscript from “Reverberations of Taiga”",
"description": "Kusakabe Meikaku, one of the three most famous Japanese calligraphers of his time, provided a title leaf, <a href=\"https://www.clevelandart.org/art/1979.73.1.1\"><u>CMA 1979.73.1.1</u></a>, for a pair of albums of paintings after Ike Taiga (池大雅) (1723–1776) by his student Aoki Shukuya (青木夙夜) (died 1802). Murata Kōkoku, a well-traveled painter with an extensive network of colleagues in China and Japan, wrote a postscript for the albums in which he explained that the paintings are faithful copies after Taiga’s images of rocks, mountains, residences, and so forth. These two artists respectfully documented Shukuya’s work more than 100 years after his death.",
"date": "1910",
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Document source extras
{
"tec": "double-leaf from a pair of albums; ink on silk",
"tombstone": "(大雅餘韻): Postscript from “Reverberations of Taiga”, 1910. Murata Kōkoku (Japanese, 1831-1912). Double-leaf from a pair of albums; ink on silk; album, closed: 28.3 x 33 cm (11 1/8 x 13 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1979.73.2.36",
"seriesInOriginalLanguage": "大雅餘韻",
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"creditline": "Andrew R. and Martha Holden Jennings Fund",
"updatedAt": "2026-06-17 12:47:00.855000",
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"sourceId": 149753,
"dept": "Japanese Art",
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"creatorTags": [
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Page context
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