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Source Description

When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.

Scholar Source Context

Document identity
localId
153607
label
Pair of naga finials
core
obj
dtoType
object
pageCount
1
Source metadata
id
153607
contentType
object
title
Pair of naga finials
description
When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.
date
1100s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79939550
genreSpecific
Metalwork
imageCount
1
source
import
dimensionsRaw
Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.)
cul
Cambodia, probably Angkor
accession
1987.14
Source extras
tec
bronze
tombstone
Pair of naga finials, 1100s. Cambodia, probably Angkor. Bronze; overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.14
collection
Cambodian Art
citations
citation
Turner, Evan H. “The Year in Review for 1987.” <em>The Bulletin of the Cleveland Museum of Art</em> 75, no. 2 (February 1988): 30–71.
page_number
Mentioned and reproduced: p. 70-71, no. 211
creditline
Leonard C. Hanna Jr. Fund
sketchfabId
05a8ca5e91bd468eb07726086627b906
galleryDonorText
Nancy F. & Joseph P. Keithley Gallery
updatedAt
2026-06-18 21:16:32.264000
sourceId
153607
dept
Indian and Southeast Asian Art
coll
Cambodian Art
med
bronze
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
5093d3294f9b5cc0