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Source Description
When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.
Scholar Source Context
Document identity
localId
153608
label
Naga Finial
core
obj
dtoType
object
pageCount
1
Source metadata
id
153608
contentType
object
title
Naga Finial
description
When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.
date
1100s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79939552
genreSpecific
Metalwork
imageCount
1
source
import
dimensionsRaw
Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.)
cul
Cambodia, Angkor Wat Period, 12th century
accession
1987.14.1
Source extras
tec
bronze
tombstone
Naga Finial, 1100s. Cambodia, Angkor Wat Period, 12th century. Bronze; overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.14.1
collection
Cambodian Art
formerAccessionNumbers
1987.14
creditline
Leonard C. Hanna Jr. Fund
sketchfabId
67e041ad74ac4571bb8084783e9a7565
galleryDonorText
Nancy F. & Joseph P. Keithley Gallery
updatedAt
2026-06-18 21:16:31.641000
sourceId
153608
dept
Indian and Southeast Asian Art
coll
Cambodian Art
med
bronze
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
ad942854deb2569b