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Although best known as a sculptor, Roche was a versatile and prolific artist who worked in many mediums. Loïe Fuller, the pioneer of modern dance who took Paris by storm in 1892, was one of his favorite subjects. He portrayed her in clay, bronze, marble, plaster, and in a series of gypsographs that illustrated an essay by the art critic Roger Marx. The book was described as "a precious monument to Loïe Fuller."
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 2acd0c61627e9c98
- Size
- unknown
Document data
- ID
- 159239
- Core
- obj
- Type
- object
DTO data
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "159239",
"contentType": "object",
"title": "La Loïe Fuller",
"description": "Although best known as a sculptor, Roche was a versatile and prolific artist who worked in many mediums. Loïe Fuller, the pioneer of modern dance who took Paris by storm in 1892, was one of his favorite subjects. He portrayed her in clay, bronze, marble, plaster, and in a series of gypsographs that illustrated an essay by the art critic Roger Marx. The book was described as \"a precious monument to Loïe Fuller.\"",
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Document source extras
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Page context
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