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Source Description

Although best known as a sculptor, Roche was a versatile and prolific artist who worked in many mediums. Loïe Fuller, the pioneer of modern dance who took Paris by storm in 1892, was one of his favorite subjects. He portrayed her in clay, bronze, marble, plaster, and in a series of gypsographs that illustrated an essay by the art critic Roger Marx. The book was described as "a precious monument to Loïe Fuller."

Scholar Source Context

Document identity
localId
159240
label
Frontispiece/ Title Page
core
obj
dtoType
object
pageCount
1
Source metadata
id
159240
contentType
object
title
Frontispiece/ Title Page
description
Although best known as a sculptor, Roche was a versatile and prolific artist who worked in many mediums. Loïe Fuller, the pioneer of modern dance who took Paris by storm in 1892, was one of his favorite subjects. He portrayed her in clay, bronze, marble, plaster, and in a series of gypsographs that illustrated an essay by the art critic Roger Marx. The book was described as "a precious monument to Loïe Fuller."
date
1904
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79978553
creators
17043
68501
genreSpecific
Bound Volume
imageCount
1
source
import
cul
France, early 20th Century
accession
1995.54.a
Source extras
tec
gypsograph
tombstone
La Loïe Fuller, by Roger Marx: Frontispiece/ Title Page, 1904. Pierre Roche (French, 1855–1922), Les Cents Bibliophiles. Gypsograph. The Cleveland Museum of Art, John L. Severance Fund, 1995.54.a
series
La Loïe Fuller
by Roger Marx
collection
PR - Gypsograph
didYouKnow
Roger Marx, the author of the essay contained in this book, was among the most prominent critics, curators, and collectors of late 19th-century Paris.
creditline
John L. Severance Fund
updatedAt
2026-05-29 08:15:20.669000
sourceId
159240
dept
Prints
coll
PR - Gypsograph
med
gypsograph
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
bd26aad680da196a