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Source Description
Unlike fragile portrait miniatures painted in watercolor on vellum or ivory, which are prone to cracking, fading, and flaking, enamels are resilient, impervious to the effects of light, and retain their striking original colors over time. Partly for this reason enamel was considered ideal for reproducing famous paintings and treasured portraits in a reduced and luminous form. The complicated and labor-intensive process of enameling required the artist to fire numerous layers of colored metal oxide at different temperatures. This process made it difficult to produce a faithful portrait likeness, though masters of the medium were able create portraits of remarkable subtlety imbued with the sitter's personality. The desire for portraits of Napoleon Bonaparte helped to create a market for miniatures that William Essex was fueling long after the emperor's death.
Scholar Source Context
Document identity
localId
161406
label
Portrait of Napoleon I, Emperor of the French
core
obj
dtoType
object
pageCount
1
Source metadata
id
161406
contentType
object
title
Portrait of Napoleon I, Emperor of the French
description
Unlike fragile portrait miniatures painted in watercolor on vellum or ivory, which are prone to cracking, fading, and flaking, enamels are resilient, impervious to the effects of light, and retain their striking original colors over time. Partly for this reason enamel was considered ideal for reproducing famous paintings and treasured portraits in a reduced and luminous form. The complicated and labor-intensive process of enameling required the artist to fire numerous layers of colored metal oxide at different temperatures. This process made it difficult to produce a faithful portrait likeness, though masters of the medium were able create portraits of remarkable subtlety imbued with the sitter's personality. The desire for portraits of Napoleon Bonaparte helped to create a market for miniatures that William Essex was fueling long after the emperor's death.
date
1841
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79984057
creators
39250
genreSpecific
Portrait Miniature
imageCount
1
source
import
dimensionsRaw
Framed: 13.5 x 11.5 cm (5 5/16 x 4 1/2 in.); Unframed: 6.6 x 5 cm (2 5/8 x 1 15/16 in.)
cul
England, 19th century
accession
2000.106
Source extras
tec
enamel on copper, gilt metal and plush mount in a turned wood frame
tombstone
Portrait of Napoleon I, Emperor of the French, 1841. William Essex (British, 1784–1869). Enamel on copper, gilt metal and plush mount in a turned wood frame; framed: 13.5 x 11.5 cm (5 5/16 x 4 1/2 in.); unframed: 6.6 x 5 cm (2 5/8 x 1 15/16 in.). The Cleveland Museum of Art, Gift of Mabel Porozynski in honor and remembrance of Eugene Porozynski, 2000.106
collection
Mod Euro - Painting 1800-1960
inscriptions
inscription
Inscribed in enamel on verso: "Napoleon Buonaparte Painted by W. Essex. Jan 1841 Enamel painter to Her Majesty after a min.e painted expressly for the Empress Marie Louise by T.B.T. Duchesne. D 1814"
didYouKnow
Napoleon wears the green uniform of the <em>chasseurs á cheval</em>, including a green coat with a red collar over a white waistcoat and gold epaulets indicating his status as a general.
citations
citation
Royal Academy of Arts (Great Britain). <em>Royal Academy Exhibition</em>. 1853.
page_number
no. 647
citation
Cincinnati Art Museum, Julie Aronson, and Marjorie E. Wieseman<em>. Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum.</em> New Haven [Conn.]: Yale University Press, 2006.
page_number
pp. 147-48, no. 51
citation
Korkow, Cory, and Dario Robleto. <em>Disembodied: Portrait Miniatures and Their Contemporary Relatives.</em> 2013.
page_number
Mentioned: p. 85
citation
Korkow, Cory, and Jon L. Seydl.<em> British Portrait Miniatures: The Cleveland Museum of Art. </em>2013.
page_number
Cat. no. 72, pp. 275-278
creditline
Gift of Mabel Porozynski in honor and remembrance of Eugene Porozynski
updatedAt
2026-05-29 08:23:47.181000
sourceId
161406
dept
Modern European Painting and Sculpture
coll
Mod Euro - Painting 1800-1960
med
enamel on copper, gilt metal and plush mount in a turned wood frame
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
067d086158bc005d