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Biblical manuscripts were highly prized and important possessions of churches, monasteries, cathedral schools, and universities throughout medieval Europe. The biblical texts were known as the vulgate, the translations made by Saint Jerome in the fourth century from Hebrew and Greek into Latin, which became the definitive and official Latin version of the Roman Church. In the 13th century, the bible was, for the first time, produced as a single volume with an officially sanctioned sequence to its books and chapters as illustrated by this example. The very extensive decoration of this bible is arranged hierarchically to indicate the relative importance of the various texts so that full or almost full-page initials mark the openings of the first prologue, Genesis, and the first Gospel; historiated initials mark the beginning of each book and illuminated initials mark the Prologues.

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Page
1
Source index
0
Type
photo
Media ID
982c4cdf172095d5
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unknown

Document data

ID
166380
Core
obj
Type
object
DTO data
{
    "id": "166380",
    "contentType": "object",
    "title": "Fol. 218r, Psalm 26, historiated initial D, David kneeling pointing to his eyes, the bust of God above",
    "description": "Biblical manuscripts were highly prized and important possessions of churches, monasteries, cathedral schools, and universities throughout medieval Europe. The biblical texts were known as the vulgate, the translations made by Saint Jerome in the fourth century from Hebrew and Greek into Latin, which became the definitive and official Latin version of the Roman Church. In the 13th century, the bible was, for the first time, produced as a single volume with an officially sanctioned sequence to its books and chapters as illustrated by this example. The very extensive decoration of this bible is arranged hierarchically to indicate the relative importance of the various texts so that full or almost full-page initials mark the openings of the first prologue, Genesis, and the first Gospel; historiated initials mark the beginning of each book and illuminated initials mark the Prologues.",
    "date": "c. 1275–1300",
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    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 35.6 x 24.2 cm (14 x 9 1/2 in.)",
    "cul": [
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    ],
    "accession": "2008.2.218.a"
}

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Document identity
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    "localId": "166380",
    "label": "Fol. 218r, Psalm 26, historiated initial D, David kneeling pointing to his eyes, the bust of God above",
    "core": "obj",
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Document source metadata
{
    "id": "166380",
    "contentType": "object",
    "title": "Fol. 218r, Psalm 26, historiated initial D, David kneeling pointing to his eyes, the bust of God above",
    "description": "Biblical manuscripts were highly prized and important possessions of churches, monasteries, cathedral schools, and universities throughout medieval Europe. The biblical texts were known as the vulgate, the translations made by Saint Jerome in the fourth century from Hebrew and Greek into Latin, which became the definitive and official Latin version of the Roman Church. In the 13th century, the bible was, for the first time, produced as a single volume with an officially sanctioned sequence to its books and chapters as illustrated by this example. The very extensive decoration of this bible is arranged hierarchically to indicate the relative importance of the various texts so that full or almost full-page initials mark the openings of the first prologue, Genesis, and the first Gospel; historiated initials mark the beginning of each book and illuminated initials mark the Prologues.",
    "date": "c. 1275–1300",
    "citation": "https://clevelandart.org/art/2008.2.218.a",
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    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/2008.2.218.a/2008.2.218.a_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 35.6 x 24.2 cm (14 x 9 1/2 in.)",
    "cul": [
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Document source extras
{
    "tec": "ink, tempera and gold on vellum",
    "tombstone": "Fol. 218r, Psalm 26, historiated initial D, David kneeling pointing to his eyes, the bust of God above, c. 1275–1300. Southern France, Toulouse(?), 13th century. Ink, tempera and gold on vellum; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2008.2.218.a",
    "collection": "MED - Gothic",
    "url": "https://clevelandart.org/art/2008.2.218.a",
    "creditline": "John L. Severance Fund",
    "updatedAt": "2026-05-29 08:35:18.329000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/2008.2.218.a/2008.2.218.a_print.jpg",
    "sourceId": 166380,
    "dept": "Medieval Art",
    "coll": "MED - Gothic",
    "med": "ink, tempera and gold on vellum",
    "thumbnail_url": null,
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}
Page context
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