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Source Description
Embroidered textiles were essential items in dowries. This type, known as a <em>suzani</em> after the Persian and Tajik word for needle, <em>suzan</em>, were created by mothers and daughters who proudly displayed them during wedding festivities and special occasions. This is an especially striking example, probably embroidered in Shakhrisyabz, located south of Samarkand in Uzbekistan, during 1800–1850.<br> <em><br></em>Suzani were made for numerous functions including the nuptial bed, curtains for storage niches, and wrappers for various dry goods. Floral and foliate motifs generally dominate as seen here, enriched with several shades of red and enhanced by the varied light reflections and colors of the silk thread. Possibly the motifs conveyed cosmological, apotropaic, medicinal, or fertility associations especially for married life. <br><br>Patterns were drawn in black ink on several loosely joined cotton cloths by a skilled family member or a professional. The cloths were then separated, embroidered individually, and reattached, confirmed by mismatched motifs where the lengths are joined. They are generally attributed to nineteenth-century production after sericulture was introduced in the Merv area around 1800.
Scholar Source Context
Document identity
localId
287526
label
Suzani with floral sprays
core
obj
dtoType
object
pageCount
1
Source metadata
id
287526
contentType
object
title
Suzani with floral sprays
description
Embroidered textiles were essential items in dowries. This type, known as a <em>suzani</em> after the Persian and Tajik word for needle, <em>suzan</em>, were created by mothers and daughters who proudly displayed them during wedding festivities and special occasions. This is an especially striking example, probably embroidered in Shakhrisyabz, located south of Samarkand in Uzbekistan, during 1800–1850.<br> <em><br></em>Suzani were made for numerous functions including the nuptial bed, curtains for storage niches, and wrappers for various dry goods. Floral and foliate motifs generally dominate as seen here, enriched with several shades of red and enhanced by the varied light reflections and colors of the silk thread. Possibly the motifs conveyed cosmological, apotropaic, medicinal, or fertility associations especially for married life. <br><br>Patterns were drawn in black ink on several loosely joined cotton cloths by a skilled family member or a professional. The cloths were then separated, embroidered individually, and reattached, confirmed by mismatched motifs where the lengths are joined. They are generally attributed to nineteenth-century production after sericulture was introduced in the Merv area around 1800.
date
1800–1850
citation
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79870540
genreSpecific
Embroidery
imageCount
1
source
import
dimensionsRaw
Overall: 227.3 x 177.8 cm (89 1/2 x 70 in.)
cul
Central Asia, South West Uzbekistan, Shakhrisyabz
accession
2016.89
Source extras
tec
Cotton: plain weave, 6 strips; silk: embroidery; filling stitch: kanda xajol, occasionally bosma; outlining stitch: ilmoq
tombstone
Suzani with floral sprays, 1800–1850. Central Asia, South West Uzbekistan, Shakhrisyabz. Cotton: plain weave, 6 strips; silk: embroidery; filling stitch: kanda xajol, occasionally bosma; outlining stitch: ilmoq; overall: 227.3 x 177.8 cm (89 1/2 x 70 in.). The Cleveland Museum of Art, Gift of John and Fausta Eskenazi in honor of Louise W. Mackie and in celebration of the museum’s centennial, 2016.89
collection
T - Islamic
didYouKnow
Six narrow lengths of handwoven cotton cloth were joined and then embroidered with vibrant silk thread to make this <em>suzani</em>.
citations
citation
Knorr, Thomas (editor) and Sager, Helen (editor) <em>Textilkunst Der Steppen- Und Bergvölker Zentralasiens: Ausstellung, Gewerbemuseum Basel, 1974</em>. Basel: s.n., 1974.
citation
Gisela Helmecke. “Die ‘Buchara’-Stickereien Im Islamischen Museum Zu Berlin.” <em>Forschungen Und Berichte</em> 23 (1983).
page_number
pp. 118–129
citation
Čepeleveckaja, Galina L. <em>Susani Usbekistans: Ein Beitrag Zur Technik, Ornamentik Und Symbolik Der Usbekischen Seidenstickerei</em>. Berlin: Schletzer, 1991.
page_number
pp. 7-75, illustration 11
citation
Vok, Ignazio, and Jakob Taube. <em>Suzani: a textile art from Central Asia: Vok collection</em>. Oberhaching, Germany: Herold Verlagsauslieferung,1994.
page_number
Mentioned and Reproduced: cat. no 19
citation
Mackie, Louise. “Acquisition Highlights 2016: Textiles and Islamic Art.” <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 16.
page_number
Reproduced and Mentioned: P. 16
creditline
Gift of John and Fausta Eskenazi in honor of Louise W. Mackie and in celebration of the museum’s centennial
updatedAt
2026-05-29 08:51:54.611000
sourceId
287526
dept
Textiles
coll
T - Islamic
med
Cotton: plain weave, 6 strips; silk: embroidery; filling stitch: kanda xajol, occasionally bosma; outlining stitch: ilmoq
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
587326a91b926a66