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Source Description
In the 1870s a renewed emphasis on natural landscapes ushered in a generation of cottage gardeners who delighted in planting perennials in large quantities. Louis Comfort Tiffany was among those who championed the lush, sometimes wild-looking displays of varied floral species in the garden at his Long Island estate, Laurelton Hall. Tiffany encouraged his designers to take inspiration from his garden by shipping fresh cuttings almost weekly to his studios. Ohio native Clara Wolcott Driscoll and her team of female designers created floral patterns for lamps and mosaics based on the colorful blooms of spring that became among the most sought after and commercially successful of Tiffany’s production.
Scholar Source Context
Document identity
localId
300132
label
Peony Border Floor Lamp
core
obj
dtoType
object
pageCount
1
Source metadata
id
300132
contentType
object
title
Peony Border Floor Lamp
description
In the 1870s a renewed emphasis on natural landscapes ushered in a generation of cottage gardeners who delighted in planting perennials in large quantities. Louis Comfort Tiffany was among those who championed the lush, sometimes wild-looking displays of varied floral species in the garden at his Long Island estate, Laurelton Hall. Tiffany encouraged his designers to take inspiration from his garden by shipping fresh cuttings almost weekly to his studios. Ohio native Clara Wolcott Driscoll and her team of female designers created floral patterns for lamps and mosaics based on the colorful blooms of spring that became among the most sought after and commercially successful of Tiffany’s production.
date
c. 1905–10
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79874501
creators
356976
292194
genreSpecific
Lamp
imageCount
1
source
import
dimensionsRaw
200.7 cm (79 in.); Diameter: 61 cm (24 in.)
cul
America
accession
2018.269
Source extras
tec
leaded glass, bronze
tombstone
Peony Border Floor Lamp, c. 1905–10. Probably by Clara Wolcott Driscoll (American, 1861–1944), Tiffany Studios (United States, New York, 1902–32). Leaded glass, bronze; 200.7 cm (79 in.); diameter: 61 cm (24 in.). The Cleveland Museum of Art, Bequest of Charles Maurer, 2018.269
collection
Decorative Arts
inscriptions
inscription
Shade impressed: TIFFANY STUDIOS NEW YORK 1574
inscription
Base impressed: TIFFANY STUDIOS/NEW YORK/376
didYouKnow
Standing floor models of this size were among the most expensive of Louis Comfort Tiffany's lamps.
creditline
Bequest of Charles Maurer
updatedAt
2026-05-29 08:53:49.796000
sourceId
300132
dept
Decorative Art and Design
coll
Decorative Arts
med
leaded glass, bronze
creatorTags
female
Cleveland Institute of Art (alumni)
gender unknown
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
50fbef021144f00e