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Sweets bowls hold the confections enjoyed when drinking tea. This bowl and <a href="http://www.clevelandart.org/art/2022.207"><u>CMA 2022.207</u></a> offer an important lesson in appreciating Yohei IV’s ceramic practice, for while they have the same design and shape and are made with the same materials, the execution of the pieces makes them entirely different upon close inspection, thereby demonstrating the range of possible production results from a single template. Each bowl has the same composition of two different types of chrysanthemum flowers, one with long, slim, knifelike petals and the other with short, rounded, multilayered petals, shown running around its surface in low relief. The centers of the flowers are painted with yellow under the glaze. Yohei III formulated a number of new underglaze colors during his career, and this is likely one of them. <br><br>The storage box lid provides abbreviated descriptions of the complex processes used in the surface decorations. It identifies the bowl inside as “Sweets dish with picture of chrysanthemum in <em>kanpakuyū</em>.” The box lid has on its exterior the seal reading “Seizan Seifu” 成山清風, which includes Yohei IV’s style name, but no signature. Instead, a signature is found on the interior of the box lid, accompanied by another seal, this time a gourd-shaped seal reading “Seifu.” The ink inscriptions are in a mode closer to formal script. <br><br>This bowl, with the signature on the inside of the box lid, stands out for a distinctively bubble-filled glaze with a heavier pink effect, as well as more noticeable yellow at the flowers’ centers and deeper carving in the relief decoration. The design has crept much closer to the rim. A closer look at the delineation of the flower petals reveals that the designs differ at times with respect to which petals appear in front or behind others. <br><br>The centers of the bases of both bowls are incised with “Seifu” in a manner matching many other works by Yohei IV, although there are slight differences. As one might expect from the other differences in the bowls, the characters on the base of the subtle bowl, <a href="http://www.clevelandart.org/art/2022.207"><u>CMA 2022.207</u></a><u>,</u> are gentler, finishing in a tapering out of the strokes. The strokes on this bold bowl end in triangular pinheads.
Page data
- Page
- 1
- Source index
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- Type
- photo
- Media ID
- a402628e4ec4b859
- Size
- unknown
Document data
- ID
- 447791
- Core
- obj
- Type
- object
DTO data
{
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"title": "Sweets Bowl with Chrysanthemums",
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"date": "1914–46",
"citation": "https://clevelandart.org/art/2022.206",
"rights": "CC0",
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"source": "import",
"dimensionsRaw": "height: 8.5 cm (3 3/8 in.); Diameter: 18.5 cm (7 5/16 in.)",
"cul": [
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],
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}
Context sent to Scholar
Document identity
{
"localId": "447791",
"label": "Sweets Bowl with Chrysanthemums",
"core": "obj",
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}
Document source metadata
{
"id": "447791",
"contentType": "object",
"title": "Sweets Bowl with Chrysanthemums",
"description": "Sweets bowls hold the confections enjoyed when drinking tea. This bowl and <a href=\"http://www.clevelandart.org/art/2022.207\"><u>CMA 2022.207</u></a> offer an important lesson in appreciating Yohei IV’s ceramic practice, for while they have the same design and shape and are made with the same materials, the execution of the pieces makes them entirely different upon close inspection, thereby demonstrating the range of possible production results from a single template. Each bowl has the same composition of two different types of chrysanthemum flowers, one with long, slim, knifelike petals and the other with short, rounded, multilayered petals, shown running around its surface in low relief. The centers of the flowers are painted with yellow under the glaze. Yohei III formulated a number of new underglaze colors during his career, and this is likely one of them. <br><br>The storage box lid provides abbreviated descriptions of the complex processes used in the surface decorations. It identifies the bowl inside as “Sweets dish with picture of chrysanthemum in <em>kanpakuyū</em>.” The box lid has on its exterior the seal reading “Seizan Seifu” 成山清風, which includes Yohei IV’s style name, but no signature. Instead, a signature is found on the interior of the box lid, accompanied by another seal, this time a gourd-shaped seal reading “Seifu.” The ink inscriptions are in a mode closer to formal script. <br><br>This bowl, with the signature on the inside of the box lid, stands out for a distinctively bubble-filled glaze with a heavier pink effect, as well as more noticeable yellow at the flowers’ centers and deeper carving in the relief decoration. The design has crept much closer to the rim. A closer look at the delineation of the flower petals reveals that the designs differ at times with respect to which petals appear in front or behind others. <br><br>The centers of the bases of both bowls are incised with “Seifu” in a manner matching many other works by Yohei IV, although there are slight differences. As one might expect from the other differences in the bowls, the characters on the base of the subtle bowl, <a href=\"http://www.clevelandart.org/art/2022.207\"><u>CMA 2022.207</u></a><u>,</u> are gentler, finishing in a tapering out of the strokes. The strokes on this bold bowl end in triangular pinheads.",
"date": "1914–46",
"citation": "https://clevelandart.org/art/2022.206",
"rights": "CC0",
"rightsUri": "CC0",
"language": "en",
"wikidata": [
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2022.206/2022.206_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "height: 8.5 cm (3 3/8 in.); Diameter: 18.5 cm (7 5/16 in.)",
"cul": [
"Japan, Taishō period (1912–26) or Shōwa period (1926–89)"
],
"accession": "2022.206"
}
Document source extras
{
"tec": "Porcelain with in-glaze and underglaze color and molded design",
"tombstone": "Sweets Bowl with Chrysanthemums, 1914–46. Seifū Yohei IV (Japanese, 1872–1951). Porcelain with in-glaze and underglaze color and molded design; height: 8.5 cm (3 3/8 in.); diameter: 18.5 cm (7 5/16 in.). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.206",
"collection": "Japanese Art",
"inscriptions": [
{
"inscription": "清風",
"inscription_translation": "“Seifū” inscribed on the base",
"sortorder": 1
},
{
"inscription": "成山清風",
"inscription_translation": "Seal on the top of the box lid: “Seizan Seifū.”",
"inscription_remark": "Storage box is inscribed and impressed with seals.",
"sortorder": 2
}
],
"didYouKnow": "Here Yohei IV used his father’s <em>kanpakuji</em> formula, with underglaze pink for the gradated wash of color surrounding the flowers.",
"citations": [
{
"citation": "Maezaki, Shinya and Sinéad Vilbar. <em>Colors of Kyoto: The Seifū Yohei Ceramic Studio</em>. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: cat. no. 64, pp. 153–154"
}
],
"url": "https://clevelandart.org/art/2022.206",
"creditline": "Gift of James and Christine Heusinger",
"updatedAt": "2026-05-29 09:02:35.005000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/2022.206/2022.206_print.jpg",
"sourceId": 447791,
"dept": "Japanese Art",
"coll": "Japanese Art",
"med": "Porcelain with in-glaze and underglaze color and molded design",
"creatorTags": [
"male",
"Asian (from 1900 to present)"
],
"thumbnail_url": null,
"image_url": null
}
Page context
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