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Source Description
Appointed cabinetmaker to King Louis XIV in 1672, André-Charles Boulle became a master of furniture making in France during the late 1600s until his death in 1732. Known primarily for his use of marquetry, in which metal patterns are inlaid into tortoiseshell then applied within the veneered surface of the furniture, Boulle established a level of quality and craftsmanship few others could achieve. As a result, his work found favor at the royal court and among other aristocrats and diplomats eager to impress the king. The inclusion of a medallion depicting Louis XIV within the bronze decoration of this chest would have identified the owner with the royal court. Often exhibiting stout architectural proportions with elegant groups of inlaid motifs such as the parrot on the central panel of this chest, Boulle’s designs are an example of the intellectual fashion for contrasting ideas, materials, and motifs.
Scholar Source Context
Document identity
localId
679326
label
Interior Drawer for Cabinet
core
obj
dtoType
object
pageCount
1
Source metadata
id
679326
contentType
object
title
Interior Drawer for Cabinet
description
Appointed cabinetmaker to King Louis XIV in 1672, André-Charles Boulle became a master of furniture making in France during the late 1600s until his death in 1732. Known primarily for his use of marquetry, in which metal patterns are inlaid into tortoiseshell then applied within the veneered surface of the furniture, Boulle established a level of quality and craftsmanship few others could achieve. As a result, his work found favor at the royal court and among other aristocrats and diplomats eager to impress the king. The inclusion of a medallion depicting Louis XIV within the bronze decoration of this chest would have identified the owner with the royal court. Often exhibiting stout architectural proportions with elegant groups of inlaid motifs such as the parrot on the central panel of this chest, Boulle’s designs are an example of the intellectual fashion for contrasting ideas, materials, and motifs.
date
c. 1690
rights
CC0
rightsUri
CC0
language
en
creators
12058
genreSpecific
Furniture and woodwork
imageCount
1
source
import
dimensionsRaw
Overall: 8.9 x 26.4 x 37.5 cm (3 1/2 x 10 3/8 x 14 3/4 in.)
cul
France, late 17th Century
accession
1949.539.s
Source extras
tec
ebony, marquetry in metal and tortoiseshell
tombstone
Interior Drawer for Cabinet, c. 1690. André-Charles Boulle (French, 1642–1732). Ebony, marquetry in metal and tortoiseshell; overall: 8.9 x 26.4 x 37.5 cm (3 1/2 x 10 3/8 x 14 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1949.539.s
collection
Furniture
didYouKnow
Originally designed to sit atop an elaborate tall stand, this chest was likely altered in the late 1700s to reduce its scale and height.
citations
citation
Milliken, William M. “A Boulle Cabinet.” <em>The Bulletin of the Cleveland Museum of Art</em> 38, no. 1 (January 1951): 6–10.
page_number
Mentioned and reproduced: p. 6-10
citation
The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.
page_number
Mentioned & reproduced: cat. no. 289
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.
page_number
Reproduced: p. 132
citation
Bruhn, Thomas P. “A Boulle Clock.” <em>The Bulletin of the Cleveland Museum of Art</em> 55, no. 10 (December 1968): 315–320.
page_number
Mentioned: p. 315; Reproduced: p. 317, fig. 2
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.
page_number
Reproduced: p. 132
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
page_number
Reproduced: p. 174
citation
Ronfort, Jean Nérée. “The Surviving Cabinets on Stands by André-Charles Boulle and the New Chronology of the Master’s Oeuvre.” <em>Cleveland Studies in the History of Art</em> 8 (2003): 44–67.
page_number
Mentioned and reproduced: p. 52-53, fig. 11
citation
Christie's New York, 11-12 June 2003, Part 1.
page_number
Mentioned: p. 8, reproduced: p. 83
citation
Wilson, Gillian, Charissa Bremer-David, and Jeffrey Weaver. <em>French Furniture and Gilt Bronzes: Baroque and Régence : Catalogue of the J. Paul Getty Museum Collection</em>. Los Angeles: J. Paul Getty Museum, 2008.
page_number
Mentioned & reproduced: p. 12, fig. 1-f
citation
Piña, Leslie A.<em> Furniture in History, 3000 B.C.-2000 A.D.</em> Boston: Prentice Hall, 2010.
page_number
Mentioned & reproduced: p. 9
citation
Wieseman, Marjorie E. "Fresh Take: Three of the Northern European galleries get a new look." <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 6 (November/December 2018): 20-21.
page_number
Reproduced: P. 21; Mentioned: P. 20, 21
creditline
John L. Severance Fund
galleryDonorText
Samuel Rosenthal Family Gallery
updatedAt
2026-05-29 09:16:42.428000
sourceId
679326
dept
Decorative Art and Design
coll
Furniture
med
ebony, marquetry in metal and tortoiseshell
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
9d8378c2e7b54379