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The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem "Drinking Wine" by Tao Yuanming (AD 365–427). Here, the mirror featuring Buddhist iconography (<em>kyojo</em>) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.
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- Page
- 1
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- Type
- photo
- Media ID
- 91c01b363a22b01a
- Size
- unknown
Document data
- ID
- 98014
- Core
- obj
- Type
- object
DTO data
{
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"contentType": "object",
"title": "Mirror with Pair of Birds in Chrysanthemum",
"description": "The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem \"Drinking Wine\" by Tao Yuanming (AD 365–427). Here, the mirror featuring Buddhist iconography (<em>kyojo</em>) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.",
"date": "1392–1573",
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"source": "import",
"dimensionsRaw": "Diameter: 11.6 cm (4 9/16 in.)",
"cul": [
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],
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}
Context sent to Scholar
Document identity
{
"localId": "98014",
"label": "Mirror with Pair of Birds in Chrysanthemum",
"core": "obj",
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}
Document source metadata
{
"id": "98014",
"contentType": "object",
"title": "Mirror with Pair of Birds in Chrysanthemum",
"description": "The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem \"Drinking Wine\" by Tao Yuanming (AD 365–427). Here, the mirror featuring Buddhist iconography (<em>kyojo</em>) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.",
"date": "1392–1573",
"citation": "https://clevelandart.org/art/1917.642",
"rights": "CC0",
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/1917.642/1917.642_web.jpg",
"imageCount": 1,
"source": "import",
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"cul": [
"Japan, Muromachi period (1392–1573)"
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Document source extras
{
"tec": "bronze",
"tombstone": "Mirror with Pair of Birds in Chrysanthemum, 1392–1573. Japan, Muromachi period (1392–1573). Bronze; diameter: 11.6 cm (4 9/16 in.). The Cleveland Museum of Art, Gift of D. Z. Norton, 1917.642",
"collection": "Japanese Art",
"formerAccessionNumbers": [
"311.1917"
],
"citations": [
{
"citation": "\"Accessions.\" <em>The Bulletin of the Cleveland Museum of Art</em> 4, no. 4 (1917): 64-67.",
"page_number": "Mentioned: p. 65",
"url": "http://www.jstor.org/stable/25136092"
},
{
"citation": "Cleveland Museum of Art, and Sŏn Sŭng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland: Cleveland Museum of Art, 2011.",
"page_number": "Mentioned and reproduced: P. 57-58, no. 34"
}
],
"url": "https://clevelandart.org/art/1917.642",
"creditline": "Gift of D. Z. Norton",
"updatedAt": "2026-05-29 05:17:32.321000",
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"sourceId": 98014,
"dept": "Japanese Art",
"coll": "Japanese Art",
"med": "bronze",
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"image_url": null
}
Page context
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