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Source Description

Rembrandt was an experimental and innovative printmaker and the first to execute works in pure drypoint on this monumental scale. Drypoint produces blurred lines and rich, velvety shadows, but these effects are lost as the plate wears. A limited number of rich impressions exist like this fine example of the fifth state, which demonstrates how Rembrandt redefined the expressive potential of printmaking. Rembrandt’s habit of drawing from life made him a keen observer of behavior and body language, endowing his biblical scenes with a human dimension and veracity not seen previously. The throng in Christ Presented to the People represents a cross section of the population and reflects the pictorial tradition that common humanity condemned Christ. Large areas of the imposing building, symbolizing the crushing weight and authority of the state, remain unworked so that blank white paper seems radiant in contrast to rich black shadows.

Scholar Source Context

Document identity
localId
164752
label
Ecce Homo. Christ Presented to the People
core
obj
dtoType
print
pageCount
1
Source metadata
id
164752
contentType
print
title
Ecce Homo. Christ Presented to the People
description
Rembrandt was an experimental and innovative printmaker and the first to execute works in pure drypoint on this monumental scale. Drypoint produces blurred lines and rich, velvety shadows, but these effects are lost as the plate wears. A limited number of rich impressions exist like this fine example of the fifth state, which demonstrates how Rembrandt redefined the expressive potential of printmaking. Rembrandt’s habit of drawing from life made him a keen observer of behavior and body language, endowing his biblical scenes with a human dimension and veracity not seen previously. The throng in Christ Presented to the People represents a cross section of the population and reflects the pictorial tradition that common humanity condemned Christ. Large areas of the imposing building, symbolizing the crushing weight and authority of the state, remain unworked so that blank white paper seems radiant in contrast to rich black shadows.
date
1655
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79992723
creators
2520
genreSpecific
Print
imageCount
1
source
import
dimensionsRaw
Sheet: 36.1 x 45.6 cm (14 3/16 x 17 15/16 in.); Platemark: 35.9 x 45.6 cm (14 1/8 x 17 15/16 in.)
cul
Netherlands
accession
2006.155
Source extras
tec
drypoint
tombstone
Ecce Homo. Christ Presented to the People, 1655. Rembrandt van Rijn (Dutch, 1606–1669). Drypoint; sheet: 36.1 x 45.6 cm (14 3/16 x 17 15/16 in.); platemark: 35.9 x 45.6 cm (14 1/8 x 17 15/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2006.155
supportMaterials
description
'Dutch' laid paper; no watermark
collection
PR - Drypoint
stateOfTheWork
state V/VIII
inscriptions
inscription
Recto, upper left, in graphite: 79; lower left: FPS. Verso, in purple ink: Prince of Liechtenstein or Colnaghi for Liechtenstein stamp; in black ink, Zinser stamp, castle tower (rook chess piece); along side, in graphite: No. 36; along top: (illegible) name; upper left, in graphite: No 79 P(?) G (?) La Second
citations
citation
Glaubinger, Jane, "Rembrandt's Printed Masterpieces", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 47 no. 03, March 2007
page_number
Mentioned & reproduced: p. 4
citation
Watkins, Catherine Bailey. <em>Rembrandt's 1654 Life of Christ Prints: Experimentation, Tradition, and the Question of Series.</em> 2011.
page_number
Reproduced: P. 177, fig. 10
catalogueRaisonne
White and Boon (Hollstein) 76, state V/VIII; B 76; Hind 271
creditline
Leonard C. Hanna Jr. Fund
updatedAt
2026-05-29 08:33:03.688000
sourceId
164752
dept
Prints
coll
PR - Drypoint
med
drypoint
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
647f0d7b54b41030