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Source Description

Venice was a center for numerous bronze founders who made elaborate doorknockers for palace doors throughout the city. Although utilitarian, these objects were meant to impress as works of art in their own right. The presence of snakes that coil from this fearsome head suggest that this is Medusa, one of the three demon sisters in Greek mythology known as the Gorgons. According to some legends, Medusa was an attractive woman who, after having an affair with the god Poseidon in Athena's temple, was transformed by the goddess into a serpent-haired beast. Her visage was so terrifying that anyone who looked at it was turned to stone. The hero Perseus was ordered to decapitate Medusa, and Athena subsequently placed the monstrous head in the center of her shield. The use of the Gorgon's head as an ancient motif and protective symbol to avert evil developed from this fabled act. Such literary and iconographic traditions were known to Renaissance artists, and the presence of a Gorgon head on a doorknocker almost certainly evokes its guarding function for a Venetian home.

Scholar Source Context

Document identity
localId
146210
label
Doorknocker with Gorgon Head
core
obj
dtoType
sculpture
pageCount
1
Source metadata
id
146210
contentType
sculpture
title
Doorknocker with Gorgon Head
description
Venice was a center for numerous bronze founders who made elaborate doorknockers for palace doors throughout the city. Although utilitarian, these objects were meant to impress as works of art in their own right. The presence of snakes that coil from this fearsome head suggest that this is Medusa, one of the three demon sisters in Greek mythology known as the Gorgons. According to some legends, Medusa was an attractive woman who, after having an affair with the god Poseidon in Athena's temple, was transformed by the goddess into a serpent-haired beast. Her visage was so terrifying that anyone who looked at it was turned to stone. The hero Perseus was ordered to decapitate Medusa, and Athena subsequently placed the monstrous head in the center of her shield. The use of the Gorgon's head as an ancient motif and protective symbol to avert evil developed from this fabled act. Such literary and iconographic traditions were known to Renaissance artists, and the presence of a Gorgon head on a doorknocker almost certainly evokes its guarding function for a Venetian home.
date
mid-1500s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60757720
genreSpecific
Sculpture
imageCount
1
source
import
dimensionsRaw
Overall: 25.4 x 19.7 x 6.9 cm (10 x 7 3/4 x 2 11/16 in.)
cul
Italy, Venice
accession
1972.1
Source extras
tec
bronze
tombstone
Doorknocker with Gorgon Head, mid-1500s. Italy, Venice. Bronze ; overall: 25.4 x 19.7 x 6.9 cm (10 x 7 3/4 x 2 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1972.1
collection
Sculpture
formerAccessionNumbers
627.71
citations
citation
The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
page_number
Reproduced: p. 109
creditline
Purchase from the J. H. Wade Fund
updatedAt
2026-05-29 07:30:21.347000
sourceId
146210
dept
European Painting and Sculpture
coll
Sculpture
med
bronze
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
8c5bca191e5de7cf