Ask the Scholar

Document scope · 1 page
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

Diaz's training was limited to decorating porcelain and studying the Old Masters in the Louvre Museum. In 1835, he began to explore the Fontainebleau forest, where he encountered other artists associated with the Barbizon school. Diaz specialized in views of the interior of the forest. His pictures were distinguished by his mastery of color and were compared by one critic to a "pile of jewels." In this view of an ancient oak tree, he explores a range of rich russets, ochers, greens, and browns. This late work illustrates the rich, tapestry-like effects he created by dabbling and scumbling his pigments to blur the outlines, a technique that was admired by the impressionists such as Pierre-Auguste Renoir and Alfred Sisely, who worked in the forest during the 1860s.

Scholar Source Context

Document identity
localId
10097
label
Forest of Fontainebleau, Autumn
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
10097
contentType
drawing
stage
normalized
title
Forest of Fontainebleau, Autumn
description
Diaz's training was limited to decorating porcelain and studying the Old Masters in the Louvre Museum. In 1835, he began to explore the Fontainebleau forest, where he encountered other artists associated with the Barbizon school. Diaz specialized in views of the interior of the forest. His pictures were distinguished by his mastery of color and were compared by one critic to a "pile of jewels." In this view of an ancient oak tree, he explores a range of rich russets, ochers, greens, and browns. This late work illustrates the rich, tapestry-like effects he created by dabbling and scumbling his pigments to blur the outlines, a technique that was admired by the impressionists such as Pierre-Auguste Renoir and Alfred Sisely, who worked in the forest during the 1860s.
provenance
William T. Walters, Baltimore, 1871-1878 [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
1871
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
panel paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
78
height
64.7
dimensionsRaw
H: 30 11/16 x W: 25 1/2 in. (78 x 64.7 cm); Framed H: 44 1/8 x W: 39 1/8 x D: 5 5/8 in. (112.08 x 99.38 x 14.29 cm, 27.2 kg)
Source extras
inscriptions
[Signature] In red at lower left: N. Diaz; [Date] In red at lower left: 71; [Seal] At center of panel on back in wax
with impression: F. V. (?)
med
oil on wood (mahogany) panel
creator_ids
7221
collection_ids
EAN
exhibition_ids
442
1955
2113
2159
631
366
2749
3818
Single page context
seq
1
pageIndex
0
type
photo
mediaId
c68f9352c99f111b