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The panel with two virgin saints was probably originally part of a small polyptych (altarpiece consisting of several panels). Framed by golden, classical arches and standing on a checkered floor, the saints seem to be placed within a real space. They hold palm branches, the attribute of martyrs. Next to Saint Catherine of Alexandria's feet is the spiked wheel on which her persecutors unsuccessfully tried to kill her. Although the second figure has an inscription on the neckline identifying her as Saint Margaret, she holds a lamb, the attribute of Saint Agnes. Vincenzo Foppa was one of the leading painters in Milan before Leonardo da Vinci arrived in the city in 1482. The figures' silvery fleshtones and elaborately patterned fabrics are characteristic of Foppa's work.

Page data

Page
2
Source index
0
Type
photo
Media ID
a75714792d895033
Size
unknown

Document data

ID
10339
Core
obj
Type
drawing
DTO data
{
    "id": "10339",
    "sourceUrl": "https://purl.thewalters.org/art/37.706",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Saint Catherine of Alexandria and Saint Agnes",
    "description": "The panel with two virgin saints was probably originally part of a small polyptych (altarpiece consisting of several panels). Framed by golden, classical arches and standing on a checkered floor, the saints seem to be placed within a real space. They hold palm branches, the attribute of martyrs. Next to Saint Catherine of Alexandria's feet is the spiked wheel on which her persecutors unsuccessfully tried to kill her. Although the second figure has an inscription on the neckline identifying her as Saint Margaret, she holds a lamb, the attribute of Saint Agnes. Vincenzo Foppa was one of the leading painters in Milan before Leonardo da Vinci arrived in the city in 1482. The figures' silvery fleshtones and elaborately patterned fabrics are characteristic of Foppa's work.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 328, as Ambrogio da Fossano]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1460 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.706",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "panel paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.706_Fnt_TR_T01II.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.706_Fnt_TR_T01II.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.706_Fnt_TR_T01II.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 44.3,
            "height": 32
        }
    ],
    "dimensionsRaw": "Visible painted surface H: 17 7/16 x W: 12 5/8 in. (44.3 x 32 cm); H including modern molding: 21 15/16 x W: 17 x D: 9/16 in. (55.8 x 43.2 x 1.4 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "10339",
    "label": "Saint Catherine of Alexandria and Saint Agnes",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.706"
}
Document source metadata
{
    "id": "10339",
    "sourceUrl": "https://purl.thewalters.org/art/37.706",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Saint Catherine of Alexandria and Saint Agnes",
    "description": "The panel with two virgin saints was probably originally part of a small polyptych (altarpiece consisting of several panels). Framed by golden, classical arches and standing on a checkered floor, the saints seem to be placed within a real space. They hold palm branches, the attribute of martyrs. Next to Saint Catherine of Alexandria's feet is the spiked wheel on which her persecutors unsuccessfully tried to kill her. Although the second figure has an inscription on the neckline identifying her as Saint Margaret, she holds a lamb, the attribute of Saint Agnes. Vincenzo Foppa was one of the leading painters in Milan before Leonardo da Vinci arrived in the city in 1482. The figures' silvery fleshtones and elaborately patterned fabrics are characteristic of Foppa's work.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 328, as Ambrogio da Fossano]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1460 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.706",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "panel paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.706_Fnt_TR_T01II.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.706_Fnt_TR_T01II.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.706_Fnt_TR_T01II.jpg",
    "imageCount": 2,
    "pageCount": 2,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 44.3,
            "height": 32
        }
    ],
    "dimensionsRaw": "Visible painted surface H: 17 7/16 x W: 12 5/8 in. (44.3 x 32 cm); H including modern molding: 21 15/16 x W: 17 x D: 9/16 in. (55.8 x 43.2 x 1.4 cm)"
}
Document source extras
{
    "inscriptions": "[Inscription] On neckline of St. Agnes: MARGARITA; [Transcription] On gesso-coated back: P.D. GIO LTA. B.",
    "med": "tempera and gold leaf on wood panel",
    "creator_ids": [
        "6928"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": [
        "2620",
        "3014"
    ]
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/CON_37.706_XR_1956.jpg",
    "mediaId": "a75714792d895033"
}