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Source Description
Signoretto Alliata (1269‒1340s) was a nobleman of Pisa who lived in Sicily where he volunteered in its hospitals. Later in life he became a hermit, living in seclusion on an isolated stretch on the shore. According to legend, he was murdered by a band of Muslim North African pirates. Such pirates had a long history of raiding small coastal communities of Italy and Spain, enslaving or killing many. Viewers of the time would recognize the pirates as Muslims by their turbans. Thus the message focuses on a Christian blessed man dying for his faith at the hands of infidels (unbelievers). Alliata’s luminous pale body and drapery would then be intended to suggest purity while angels hand him the crown of martyrdom.This loosely painted scene was a preparatory version for a large painting commissioned for the cathedral of Pisa by Count Tommaso Alliata Campiglia, who wanted to honor his holy ancestor.
Scholar Source Context
Document identity
localId
12938
label
The Martyrdom of the Blessed Signoretto Alliata
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
12938
sourceUrl
contentType
drawing
stage
normalized
title
The Martyrdom of the Blessed Signoretto Alliata
description
Signoretto Alliata (1269‒1340s) was a nobleman of Pisa who lived in Sicily where he volunteered in its hospitals. Later in life he became a hermit, living in seclusion on an isolated stretch on the shore. According to legend, he was murdered by a band of Muslim North African pirates. Such pirates had a long history of raiding small coastal communities of Italy and Spain, enslaving or killing many. Viewers of the time would recognize the pirates as Muslims by their turbans. Thus the message focuses on a Christian blessed man dying for his faith at the hands of infidels (unbelievers). Alliata’s luminous pale body and drapery would then be intended to suggest purity while angels hand him the crown of martyrdom.This loosely painted scene was a preparatory version for a large painting commissioned for the cathedral of Pisa by Count Tommaso Alliata Campiglia, who wanted to honor his holy ancestor.
provenance
Galleria des Monte di Pietà, Rome [date and mode of acquisition unknown] [no. 1602]; Cassa dei Depositi e Prestiti, Rome [date and mode of acquistion unknown]; Cassa dei Depositi e Prestiti Sale, Rome, November 30, 1875, no. 65 [as Cades]; Don Marcello Massarenti Collection, Rome [date and mode of acquistion unknown] [1897 catalogue: no. 431, as a study of a painting in Venice representing St. Luke by Tiepolo]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1794-1796 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
modelli
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
50.6
height
50.6
dimensionsRaw
Painted surface H: 19 15/16 x W: 19 15/16 in. (50.6 x 50.6 cm)
Source extras
med
oil on canvas
creator_ids
1981
collection_ids
BAR
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
91595f67d54849d1