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Source Description

Weeks was the most avid traveler among the American orientalists. He did not limit his journeys to the Near East but also visited India in 1882 and again from 1892 through 1894. After returning to his studio in France, he specialized in Indian subjects, which were based on photographs and drawings made during his travels. In this painting, he depicts the famous tomb erected in the Indian city of Agra in 1630 by Shah Jahan for his wife.Henry Walters may have first encountered Weeks’s work through the artist’s illustrated travel books. The same view of the Taj Mahal appears as an illustration to Weeks’s "From the Black Sea through Persia and India," published in 1896. Weeks describes the tomb and the surrounding gardens: “two lines of black cypress spires lead the eye straight to the majestic dome which rises white and dazzling at the end of the vista . . . like a summer cloud against the clear sky . . . as full of transparent tints and hues of mother-of-pearl as the lining of a shell.” Walters purchased this painting and another larger painting by Weeks of a mosque interior at the artist’s estate sale in New York in 1905.

Scholar Source Context

Document identity
localId
13663
label
The Taj Mahal
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
13663
contentType
drawing
stage
normalized
title
The Taj Mahal
description
Weeks was the most avid traveler among the American orientalists. He did not limit his journeys to the Near East but also visited India in 1882 and again from 1892 through 1894. After returning to his studio in France, he specialized in Indian subjects, which were based on photographs and drawings made during his travels. In this painting, he depicts the famous tomb erected in the Indian city of Agra in 1630 by Shah Jahan for his wife.Henry Walters may have first encountered Weeks’s work through the artist’s illustrated travel books. The same view of the Taj Mahal appears as an illustration to Weeks’s "From the Black Sea through Persia and India," published in 1896. Weeks describes the tomb and the surrounding gardens: “two lines of black cypress spires lead the eye straight to the majestic dome which rises white and dazzling at the end of the vista . . . like a summer cloud against the clear sky . . . as full of transparent tints and hues of mother-of-pearl as the lining of a shell.” Walters purchased this painting and another larger painting by Weeks of a mosque interior at the artist’s estate sale in New York in 1905.
provenance
Edwin Lord Weeks Sale, American Art Galleries, New York, March 15-17, 1905, no. 195; purchased by Henry Walters, Baltimore, 1905; by bequest to Walters Art Museum, 1931.
date
1883
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
52
height
77
dimensionsRaw
H: 20 1/2 x W: 30 5/16 in. (52 x 77 cm)Framed: H: 30 3/8 × W: 40 1/16 × D: 4 7/16 in. (77.1 × 101.7 × 11.2 cm)
Source extras
inscriptions
[Signature] Lower left: E. L. Weeks; [Inscription] Lower left: Taj Mahal; [Date] Lower left: 1883
med
oil on composition board
creator_ids
6974
collection_ids
EAN
exhibition_ids
2159
Single page context
seq
1
pageIndex
0
type
photo
mediaId
698355e6d720d393