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Source Description
A wrathful goddess wearing a crown of skulls and the flayed skins of a tiger and elephant dances at the center of this mandala, encircled by a flaming aureole. Possibly a form of the goddess Vajrayogini, in the universe depicted by the mandala—the cosmic realm over which a particular deity or Buddha presides—she reigns supreme. Surrounding her is an eight-petaled lotus, on which four goddesses face each of the cardinal directions. Immediately behind them are animal-faced guardian deities, standing sentry at each of the gates to the goddess’s palace, which is represented by the multilayered square framework enclosing the lotus. Concentric circles surrounding the realm of the palace depict the eight cremation grounds associated with the cardinal and intermediate directions—important sites of ritual and meditation, where figures engage in a range of activities—and flames of different colors representing the wisdom that burns away ignorance. In the landscape below, a learned monk sitting on a rocky outcrop reads a manuscript, and a pair of dancing skeletal chitipati call to mind the cremation grounds over which they rule. In the sky above, clouds support the lotus pedestals of the dark blue lion-faced goddess Simhavaktra and a red wrathful god, possibly Vajradaka. The mandala of the goddess bridges the earthly and celestial realms, transcending both.
Scholar Source Context
Document identity
localId
1425
label
Mandala of a Goddess
core
obj
dtoType
drawing
citationUrl
pageCount
2
Source metadata
id
1425
sourceUrl
contentType
drawing
stage
normalized
title
Mandala of a Goddess
description
A wrathful goddess wearing a crown of skulls and the flayed skins of a tiger and elephant dances at the center of this mandala, encircled by a flaming aureole. Possibly a form of the goddess Vajrayogini, in the universe depicted by the mandala—the cosmic realm over which a particular deity or Buddha presides—she reigns supreme. Surrounding her is an eight-petaled lotus, on which four goddesses face each of the cardinal directions. Immediately behind them are animal-faced guardian deities, standing sentry at each of the gates to the goddess’s palace, which is represented by the multilayered square framework enclosing the lotus. Concentric circles surrounding the realm of the palace depict the eight cremation grounds associated with the cardinal and intermediate directions—important sites of ritual and meditation, where figures engage in a range of activities—and flames of different colors representing the wisdom that burns away ignorance. In the landscape below, a learned monk sitting on a rocky outcrop reads a manuscript, and a pair of dancing skeletal chitipati call to mind the cremation grounds over which they rule. In the sky above, clouds support the lotus pedestals of the dark blue lion-faced goddess Simhavaktra and a red wrathful god, possibly Vajradaka. The mandala of the goddess bridges the earthly and celestial realms, transcending both.
provenance
Doris Wiener, New York; purchased by John and Berthe Ford, Baltimore, 1968, by purchase; given to Walters Art Museum, 2015.
date
18th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
tangkas
tankas
thangkas
thankas
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
73.7
height
33.7
dimensionsRaw
H: 29 x W: 13 1/4 in. (73.7 x 33.7 cm)
style
Kham
Source extras
cul
Buddhist
med
tempera on cloth
creator_ids
6868
collection_ids
INT
exhibition_ids
2071
Page inventory
seq
1
type
photo
mediaId
8a222304cfbacf5d
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
1deadc9a9356a934
hasOcr
no
hasDescription
no