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Source Description

This image of the Crucifixion differs from the biblical account of the event in that Christ is not surrounded by mounted Roman officials along with his followers. The moment is treated more as a "sacred conversation" among saints who lived at very different times. He is immediately flanked by the Virgin Mary (in a dark cloak at the left of the cross), Mary Magdalen (embracing the foot of the cross), the apostle John (at the right of the cross with his hands clasped). At the far left is Saint Jerome, wearing a red cardinal’s robe and hat, followed by John the Baptist, with a cross staff and animal skin shirt. At the far right is Francis of Assisi, wearing his typical brown habit, and Saint Ansanus, patron saint of the city of Siena and carrying its black-and-white banner. The inclusion of Saint Ansanus suggests that the painting was commissioned by a Sienese citizen, probably for devotional use in a domestic interior.The brittle and expressive figures with their calligraphic draperies are typical of the Sienese artist Pellegrino di Mariano, who excelled in the production of manuscript illustrations and small-scale paintings such as this one. Pellegrino was a close follower of Giovanni di Paolo, also represented in the Walters’ collection (see 37.489 and 37.554).

Scholar Source Context

Document identity
localId
14769
label
The Crucifixion with Saints
core
obj
dtoType
drawing
pageCount
3
Source metadata
id
14769
contentType
drawing
stage
normalized
title
The Crucifixion with Saints
description
This image of the Crucifixion differs from the biblical account of the event in that Christ is not surrounded by mounted Roman officials along with his followers. The moment is treated more as a "sacred conversation" among saints who lived at very different times. He is immediately flanked by the Virgin Mary (in a dark cloak at the left of the cross), Mary Magdalen (embracing the foot of the cross), the apostle John (at the right of the cross with his hands clasped). At the far left is Saint Jerome, wearing a red cardinal’s robe and hat, followed by John the Baptist, with a cross staff and animal skin shirt. At the far right is Francis of Assisi, wearing his typical brown habit, and Saint Ansanus, patron saint of the city of Siena and carrying its black-and-white banner. The inclusion of Saint Ansanus suggests that the painting was commissioned by a Sienese citizen, probably for devotional use in a domestic interior.The brittle and expressive figures with their calligraphic draperies are typical of the Sienese artist Pellegrino di Mariano, who excelled in the production of manuscript illustrations and small-scale paintings such as this one. Pellegrino was a close follower of Giovanni di Paolo, also represented in the Walters’ collection (see 37.489 and 37.554).
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 75, as school of Fra Angelico]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1450 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
54
height
39
depth
3
dimensionsRaw
Painted surface H, including repainted additions: 21 1/4 x W: 15 3/8 x D: 1 3/16 in. (54 x 39 x 3 cm)
Source extras
inscriptions
[Transcription] On cross: INRI
med
tempera and gold leaf on wood panel
creator_ids
6713
collection_ids
REN
exhibition_ids
2064
386
Page inventory
seq
1
type
photo
mediaId
8436997a7d085031
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
daf2ffad097255b4
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
faec349102f700b2
hasOcr
no
hasDescription
no