Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
In 1581, the Italian poet Tarquinato Tasso published Gerusaleme Liberata (Jerusalem Liberated), an instantly popular epic poem based on one of the crusades by Christians to retake the Holy Land. It was written as a romantic fantasy, recounting Satan's efforts to create obstacles for the heroic Christian knights, particularly the noble Rinaldo. The beautiful sorceress Armida enticed Rinaldo to enter the lush garden of her castle. There she keeps him besotted with sensual pleasures. He holds her "crystal mirror" up to her face but declares that her worth and beauty are more perfectly "painted in my heart."The episode is treated by Soens as a tender moment, but in the poem it is clear that Rinaldo, "drunk with ease," has lost his moral compass. His comrades burst in and show him a "pure and precious" polished shield in which he sees his "wanton habits." Ashamed, he abandons Armida to return to the battle.Soens worked in Antwerp and Rome before becoming court painter to the Farnese grand dukes in Parma, where Tasso's poem was published.
Scholar Source Context
Document identity
localId
15439
label
Rinaldo and Armida in the Enchanted Garden
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
15439
sourceUrl
contentType
drawing
stage
normalized
title
Rinaldo and Armida in the Enchanted Garden
description
In 1581, the Italian poet Tarquinato Tasso published Gerusaleme Liberata (Jerusalem Liberated), an instantly popular epic poem based on one of the crusades by Christians to retake the Holy Land. It was written as a romantic fantasy, recounting Satan's efforts to create obstacles for the heroic Christian knights, particularly the noble Rinaldo. The beautiful sorceress Armida enticed Rinaldo to enter the lush garden of her castle. There she keeps him besotted with sensual pleasures. He holds her "crystal mirror" up to her face but declares that her worth and beauty are more perfectly "painted in my heart."The episode is treated by Soens as a tender moment, but in the poem it is clear that Rinaldo, "drunk with ease," has lost his moral compass. His comrades burst in and show him a "pure and precious" polished shield in which he sees his "wanton habits." Ashamed, he abandons Armida to return to the battle.Soens worked in Antwerp and Rome before becoming court painter to the Farnese grand dukes in Parma, where Tasso's poem was published.
provenance
Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1581-1611 (Late Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
46.3
height
35.9
dimensionsRaw
18 1/4 x 14 1/8 in. (46.3 x 35.9 cm)
Source extras
med
oil on panel
creator_ids
6420
collection_ids
REN
exhibition_ids
2674
Single page context
seq
1
pageIndex
0
type
photo
mediaId
0b1ecfa148dd4e39