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Source Description

According to the ancient writer Plutarch (45 CE-127 CE) in his famous book “Parallel Lives,” during the Roman civil war, the Roman general Pompey went back on his military alliance with Julius Caesar and tried to take asylum in Egypt. Fearing that welcoming Pompey would lead to their eventual conquer and that rejecting him would only create further tension, the Egyptians decided to behead Pompey and present his head to Caesar, who allegedly shed tears for his former ally. This panel shows the scene in which Theodotus, tutor of the Egyptian king Ptolemy XIII, presents Pompey’s severed head to Caesar. Painted in Florence in the mid-1400s, the panel is a fragment of a long, horizontal panel originally inserted into the front of a "cassone," a large storage chest typically commissioned during the Renaissance for newly married couples. Often ordered in pairs, cassoni were painted on their fronts and sides with stories from classical mythology, the Bible, or ancient history that exemplified moral and virtuous behavior. The figures in this panel are depicted in contemporary dress to make the story more accessible to the original 15th-century viewers.

Scholar Source Context

Document identity
localId
16695
label
Pompey's Head Brought to Julius Caesar
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
16695
contentType
drawing
stage
normalized
title
Pompey's Head Brought to Julius Caesar
description
According to the ancient writer Plutarch (45 CE-127 CE) in his famous book “Parallel Lives,” during the Roman civil war, the Roman general Pompey went back on his military alliance with Julius Caesar and tried to take asylum in Egypt. Fearing that welcoming Pompey would lead to their eventual conquer and that rejecting him would only create further tension, the Egyptians decided to behead Pompey and present his head to Caesar, who allegedly shed tears for his former ally. This panel shows the scene in which Theodotus, tutor of the Egyptian king Ptolemy XIII, presents Pompey’s severed head to Caesar. Painted in Florence in the mid-1400s, the panel is a fragment of a long, horizontal panel originally inserted into the front of a "cassone," a large storage chest typically commissioned during the Renaissance for newly married couples. Often ordered in pairs, cassoni were painted on their fronts and sides with stories from classical mythology, the Bible, or ancient history that exemplified moral and virtuous behavior. The figures in this panel are depicted in contemporary dress to make the story more accessible to the original 15th-century viewers.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 82, as Paolo Uccello]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1450 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
panel paintings
cassoni
fragments
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
38.3
height
53.3
depth
1
dimensionsRaw
Painted surface H: 15 1/16 x W: 21 x D excluding cradle: 3/8 in. (38.3 x 53.3 x 1 cm)
Source extras
med
tempera on wood panel
creator_ids
18723
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
295fcc7a1cd01930
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
21d22a5e096d1f48
hasOcr
no
hasDescription
no