Autumn Landscape
For Chikuto, as for the Chinese masters he was trying to emulate, brushwork was the most important element in painting. Each stroke was not merely a leaf or the face of a rock but a gesture that was thought to define the artist's character.
Drawing
| id |
id
18795
|
|---|---|
| contentType |
contentType
drawing
|
| stage |
stage
normalized
|
| provenance |
provenance
Ishinosuke Mizutani, Oriental Art Sekisen, Kyoto [date and mode of acquisition unknown]; Walters Art Museum, 1986, by purchase.
|
| rightsUri |
rightsUri
CC0
|
| language |
language
en
|
| pageCount |
pageCount
1
|
| source |
source
import
|
Source image fields (5)
| thumbnailUrl | https://art.thewalters.org/images/art/PL1_35.133_Fnt_TR_T91II.jpg |
|---|---|
| largeImageUrl | https://art.thewalters.org/images/art/PL1_35.133_Fnt_TR_T91II.jpg |
| iiifBase | https://art.thewalters.org/images/art/PL1_35.133_Fnt_TR_T91II.jpg |
| imageCount | 1 |
| sourceUrl | https://purl.thewalters.org/art/35.133 |
Terms
Medium
ink and color on paper
Relations
createdBy
inCollection