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Source Description

The romantic fantasy of shepherds and shepherdesses living in the wilds of Arcadia in Greece was a favored theme in ancient poetry that was revived in Renaissance Italy and around 1600 in the Netherlands. In the 1620s, Honthorst and Cornelis van Poelenburch created a fashion in elite circles for portraying young people in this way.The sitter here may be Catherina Elizabeth von Hanau (1607-47) who married in 1628. In any case, she is a noblewoman from the court in The Hague; an engraving of this portrait is among those of the highest aristocracy reproduced in a publication of 1640, "The True Portraits of Some of the Greatest Ladies of Christendom Disguised as Shepherdesses." Honthorst flourished in Rome and Utrecht as a painter of tavern and religious scenes. Turning to portraiture, he enjoyed the patronage of the court, with assistants preparing portraits for him to touch up.

Scholar Source Context

Document identity
localId
21661
label
Portrait of a Lady of the Court as a Shepherdess
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
21661
contentType
drawing
stage
normalized
title
Portrait of a Lady of the Court as a Shepherdess
description
The romantic fantasy of shepherds and shepherdesses living in the wilds of Arcadia in Greece was a favored theme in ancient poetry that was revived in Renaissance Italy and around 1600 in the Netherlands. In the 1620s, Honthorst and Cornelis van Poelenburch created a fashion in elite circles for portraying young people in this way.The sitter here may be Catherina Elizabeth von Hanau (1607-47) who married in 1628. In any case, she is a noblewoman from the court in The Hague; an engraving of this portrait is among those of the highest aristocracy reproduced in a publication of 1640, "The True Portraits of Some of the Greatest Ladies of Christendom Disguised as Shepherdesses." Honthorst flourished in Rome and Utrecht as a painter of tavern and religious scenes. Turning to portraiture, he enjoyed the patronage of the court, with assistants preparing portraits for him to touch up.
provenance
Earls of Craven, Combe Abbey [1866 Catalog no. 341]; Cornelia, Countess of Craven; Cornelia, Countess of Craven Sale, Sotheby and Co., London, November 27, 1968, no. 61; Walters Art Museum, 1968, by purchase.
date
ca. 1628 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
75.4
height
62
dimensionsRaw
29 11/16 x 24 7/16 in. (75.4 x 62 cm)
Source extras
med
oil on canvas
creator_ids
4777
4777
collection_ids
BAR
exhibition_ids
1994
Single page context
seq
1
pageIndex
0
type
photo
mediaId
3844ca4a0d02a9d6