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"Landscape with Cottage" represents a peasant's thatched cottage on a rise. To the left, we see the tip of a steeple and to the right a figure in blue on a white horse, perhaps returning to his cottage as lowering clouds threaten the onset of a storm. Rousseau often chose to represent rustic cottages, informed both by sites he had seen on his travels and his familiarity with the 17th-century Dutch tradition. The location of the site depicted here is uncertain. It is possible that it could be a rocky plain in the forest of Fontainebleau some two miles south-west of Barbizon, which Rousseau represented frequently, particularly in his later years. However, it is also quite possible that Rousseau did not intend here to represent a specific location but rather a more generalized and imaginative interpretation of nature.

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Page
1
Source index
0
Type
photo
Media ID
dde7cea8b5200714
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unknown

Document data

ID
299
Core
obj
Type
drawing
DTO data
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    "id": "299",
    "sourceUrl": "https://purl.thewalters.org/art/37.966",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Landscape with Cottage",
    "description": "\"Landscape with Cottage\" represents a peasant's thatched cottage on a rise. To the left, we see the tip of a steeple and to the right a figure in blue on a white horse, perhaps returning to his cottage as lowering clouds threaten the onset of a storm. Rousseau often chose to represent rustic cottages, informed both by sites he had seen on his travels and his familiarity with the 17th-century Dutch tradition. The location of the site depicted here is uncertain. It is possible that it could be a rocky plain in the forest of Fontainebleau some two miles south-west of Barbizon, which Rousseau represented frequently, particularly in his later years. However, it is also quite possible that Rousseau did not intend here to represent a specific location but rather a more generalized and imaginative interpretation of nature.",
    "provenance": "Antoine-François Marmontel (1816-1898), Paris; Sale Antoine Marmontel, Hôtel Drouot, Paris, January 25-26, 1883, lot 255; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, January 26, 1883 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 557.",
    "date": "ca. 1865",
    "citationUrl": "https://purl.thewalters.org/art/37.966",
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    "language": "en",
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    "source": "import",
    "dimensions": [
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            "units": "cm",
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        }
    ],
    "dimensionsRaw": "H: 12 1/2 x W: 14 13/16 in. (31.8 x 37.7 cm); Framed H: 23 11/16 × W: 24 7/8 × D: 2 3/8 in. (60.2 × 63.2 × 6 cm)"
}

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Document identity
{
    "localId": "299",
    "label": "Landscape with Cottage",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.966"
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Document source metadata
{
    "id": "299",
    "sourceUrl": "https://purl.thewalters.org/art/37.966",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Landscape with Cottage",
    "description": "\"Landscape with Cottage\" represents a peasant's thatched cottage on a rise. To the left, we see the tip of a steeple and to the right a figure in blue on a white horse, perhaps returning to his cottage as lowering clouds threaten the onset of a storm. Rousseau often chose to represent rustic cottages, informed both by sites he had seen on his travels and his familiarity with the 17th-century Dutch tradition. The location of the site depicted here is uncertain. It is possible that it could be a rocky plain in the forest of Fontainebleau some two miles south-west of Barbizon, which Rousseau represented frequently, particularly in his later years. However, it is also quite possible that Rousseau did not intend here to represent a specific location but rather a more generalized and imaginative interpretation of nature.",
    "provenance": "Antoine-François Marmontel (1816-1898), Paris; Sale Antoine Marmontel, Hôtel Drouot, Paris, January 25-26, 1883, lot 255; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, January 26, 1883 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 557.",
    "date": "ca. 1865",
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    "rightsUri": "CC0",
    "language": "en",
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        "watercolors (paintings)"
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    "dimensions": [
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        }
    ],
    "dimensionsRaw": "H: 12 1/2 x W: 14 13/16 in. (31.8 x 37.7 cm); Framed H: 23 11/16 × W: 24 7/8 × D: 2 3/8 in. (60.2 × 63.2 × 6 cm)"
}
Document source extras
{
    "inscriptions": [
        "[Signed] Lower left in iron gall ink: Th Roussseau; [Label] On reverse of frame [since removed",
        "label removed with frame",
        "April 9",
        "1963]: Collection de M. Marmontel",
        "no 488; [Watermark] J Kool/C&W[?]Comp"
    ],
    "med": "watercolor with crayon over graphite underdrawing on beige, moderately thick, moderately textured laid paper",
    "creator_ids": [
        "7239"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "1993",
        "637",
        "438",
        "2069",
        "760",
        "190",
        "919",
        "432",
        "3287",
        "3818"
    ]
}
Page context
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