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Source Description

In conquests from Greece and Egypt to Afghanistan, the Macedonian ruler Alexander the Great (356-323 BC) founded cities-often named for himself-in key military and trading locations; Alexandria, in Egypt, is the only one still thriving today. Alexander was often involved in the planning; here, he gives instructions to the Greek architect Dinocrates. Behind them, massive walls are under construction.The painting is a "modello," or study, painted in preparation for one of the large canvases commissioned from the artist for the throne room of King Philip V of Spain in the Palace of San Idelfonso (La Granja). Halls where European rulers granted audiences to their subjects and to visiting emissaries were traditionally decorated with tapestries or paintings reinforcing the ruler's position by reference to the power and renown of rulers of the past, principally Alexander the Great or the Roman emperors. In keeping with his ancient theme, Costanzi adopted a frieze-like composition that recalls Greek and Roman relief sculpture.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 407, pp. 517-518.

Scholar Source Context

Document identity
localId
30203
label
Alexander the Great Founding Alexandria
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
30203
contentType
drawing
stage
normalized
title
Alexander the Great Founding Alexandria
description
In conquests from Greece and Egypt to Afghanistan, the Macedonian ruler Alexander the Great (356-323 BC) founded cities-often named for himself-in key military and trading locations; Alexandria, in Egypt, is the only one still thriving today. Alexander was often involved in the planning; here, he gives instructions to the Greek architect Dinocrates. Behind them, massive walls are under construction.The painting is a "modello," or study, painted in preparation for one of the large canvases commissioned from the artist for the throne room of King Philip V of Spain in the Palace of San Idelfonso (La Granja). Halls where European rulers granted audiences to their subjects and to visiting emissaries were traditionally decorated with tapestries or paintings reinforcing the ruler's position by reference to the power and renown of rulers of the past, principally Alexander the Great or the Roman emperors. In keeping with his ancient theme, Costanzi adopted a frieze-like composition that recalls Greek and Roman relief sculpture.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 407, pp. 517-518.
provenance
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1736-1737 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
modelli
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
46.3
height
65
dimensionsRaw
18 1/4 x 25 9/16 in. (46.3 x 65 cm)
Source extras
inscriptions
[Transcription] In ink on the reverse of the stretcher: Amsterdam 1641
dipingana Romagi Italiani; [Transcription] Painted in large black letters: De Troyen
Pt Par De Troyen;; [Number] Painted in black on the reverse of the canvas: 569C
med
oil on canvas
creator_ids
3124
collection_ids
BAR
exhibition_ids
2335
2896
Single page context
seq
1
pageIndex
0
type
photo
mediaId
f96540ff5397d334